Lost in Translation

Started by AlguienEstolamiPantalones, September 07, 2003, 11:51:23 PM

0 Members and 1 Guest are viewing this topic.

Chest Rockwell

Quote from: godardianmodage, I've only seen CQ once and am prepared to see it again, but I was very disappointed and annoyed; it's so contemporary-hipster-boy-movie, very one-dimensional and thin, and if that well-worn phrase "self-indulgent" applies to anything... It seems so tired and shallow compared to Sophia's films, in my opinion. I think there is both more thematic depth and more cinematographic beauty in her films than there is in CQ.
Finally! Someone understands me. But like godardian I too have seen it only once, and would be willing to revisit it.

Quote from: tazhaha, it would be a deal, but i know that you would hate cq for the same reasons. and i don't think there's anybody out there who would go to the lengths it would take to get me to see auto focus again
Why no love for Auto focus?
I'm a fan of Auto Focus, as well...perhaps godardian and I are distant cousins?

Henry Hill

as far as roman and sofia are concerned, i think they have proven that regardless of their heritage they are fucking great filmmakers. whether they got in the door because of their dad or not is beside the point. roman needs to make another film ASAP!

soixante

CQ was a bore -- at least the first half of it.  I turned it off half-way through.  Didn't Austin Powers cover this terrain already?
Music is your best entertainment value.

pete

Quote from: filmboy70as far as roman and sofia are concerned, i think they have proven that regardless of their heritage they are fucking great filmmakers. whether they got in the door because of their dad or not is beside the point. roman needs to make another film ASAP!

you can't declare that when people are still in the middle of arguing over Roman's career, man.  That's called "jumping to the conclusion."
"Tragedy is a close-up; comedy, a long shot."
- Buster Keaton

Ravi

Quote from: soixanteCQ was a bore -- at least the first half of it.  I turned it off half-way through.  Didn't Austin Powers cover this terrain already?

I didn't turn it off, but I had to struggle not to.  I didn't find anything particularly interesting in it.

modage

Quote from: soixanteCQ was a bore -- at least the first half of it.  I turned it off half-way through.  Didn't Austin Powers cover this terrain already?
i dont think so.
Christopher Nolan's directive was clear to everyone in the cast and crew: Use CGI only as a last resort.

Weird. Oh

Quote from: tazhaha, it would be a deal, but i know that you would hate cq for the same reasons. and i don't think there's anybody out there who would go to the lengths it would take to get me to see auto focus again

Quote from: Chest Rockwell
Why no love for Auto focus?
I'm a fan of Auto Focus, as well...perhaps godardian and I are distant cousins?

I really liked Auto Focus and Kinear's potrayal of Bob Crane. Maybe its because I used to watch Hogan's Heroes. It was a really interesting depiction of his hidden lifestyle and mysterious murder.


Anyhoo, I was flipping through the tv and I saw this show with this guy saying how Lost In Translation shouldn't win any awards because of its racist depiction of the Japanese culture. The web site they were touting was lost-in-racism.org if you wanna check it out. The guy was saying it was really racist because of the way the Japanese were shown as a typical L's with R's and stuff like that.

I just don't understand why people can't read into context of the film. I mean Bob Harris did see them that way and perhaps was racist and that was the point. He didn't wanna be there and he looked at the Japanese like this. I thought Sofia did a great job in making the characters real and not PC. I read somewhere that Sofia actually lived in Japan for several years so I doubt she's racist.
The more arguments you win, the fewer friends you will have.

Chest Rockwell

I totally agree with you, wierdo.

But that website is so stupid! They're trying to petition the Academy not to vote for Lost in Translation because it's racist, like they'd really care. And besides, it really isn't racist, in my opinion.

Pubrick

under the paving stones.

Chest Rockwell

Quote from: Plet's start that again.
Good point. I'm editing my post.

Myxo

I assume there is no way to avoid the five minutes of previews at the beginning of this disc? I tried moving forward chapters and hitting menu. Neither worked.

Very lame that they at least don't give viewers a choice to bypass them.

Chest Rockwell

Quote from: MyxomatosisI assume there is no way to avoid the five minutes of previews at the beginning of this disc? I tried moving forward chapters and hitting menu. Neither worked.

Very lame that they at least don't give viewers a choice to bypass them.
Quote from: The Lost in Translation DVDPlease Fast Forward
[/code]

meatball

Hollywood Elsewhere (moviepoopshoot.com)

Japanese critics have resoundingly agreed with my view, which I articulated last fall, that Lost in Translation peddles crude Japanese stereotypes. Sofia Coppola's quasi-comedy has just opened in Japan and drawn a good amoutn of flack. Critic Yoshiro Tsuchiya of Yomiuri Shimbun called "Sofia's view of Japan is outrageously biased and banal....[with] all the Japanese characters portrayed only smiling or bowing."

In Asahi Shimbun, another major Tokyo daily, writer Kotaro Sawaki said he "felt unusual revulsion against this movie," adding that "all the Japanese are consistently portrayed as foolish. But the movie fails to point out that what appears to be foolish mirrors the viewer's own foolishness." Japanese musician Kiku Day, writing in London's DailyGuardian, said the film's "caricatures play to longstanding American prejudice about Japan...

Chest Rockwell

Quote from: Pubricklet's start that again.

Raikus

Quote from: meatballJapanese musician Kiku Day, writing in London's DailyGuardian, said the film's "caricatures play to longstanding American prejudice about Japan...
What that all Japanese are friendly and smiling? Must suck to be stuck with that.
Yes, to dance beneath the diamond sky with one hand waving free, silhouetted by the sea, circled by the circus sands, with all memory and fate driven deep beneath the waves, let me forget about today until tomorrow.