Il Divo

Started by modage, May 18, 2009, 10:22:22 AM

0 Members and 1 Guest are viewing this topic.

modage



"If Stanley Kubrick, Martin Scorsese, and Federico Fellini had a love child, Sorrentino would be it." - NYMag

"As operatic cinema, it ranks alongside the best of Martin Scorsese and Francis Ford Coppola." - NYTimes

http://nymag.com/daily/entertainment/2009/04/5_reasons_why_paolo_sorrentino.html
Trailer:

I had not seen the trailer when I went to see this so I really had no idea what I was in for.  The story itself can be confusing so the film begins with a dozen title cards to setup the film, which I can imagine were added for the US release.  Probably due to feeling a little lost in the story I did not love the film as much as I loved the filmmaking.  The music, editing, photography were completely brilliant.  It was rare to see a film where the filmmaker outshined the effort while still avoiding the style over substance, but I knew I was watching a master even if this wasn't his masterpiece.
Christopher Nolan's directive was clear to everyone in the cast and crew: Use CGI only as a last resort.

Fernando

I'm interested, but this trailer seems as misleading as the one for The Road.

matt35mm

I saw this a while ago at a festival.  I was fairly bored by it.  The filmmaking is very nice to watch, as mod said, I didn't fully understand the story--though I'm pretty sure I got the point just because the characters are very clear, so I could keep track of who was doing what with what intention even though I didn't always know how.  I just can't say I found it gripping.  It's a very smooth film.