Don't Deliver Us From Evil remains me one Mondo Macabro experience, but it's the kinda film I'm not sure I could have seen any other way, the sort of jagged film that's neither pure genre or conventionally cult. You get to that fringe and it's like specialty label or ny's Spectacle or perhaps the Bev, if the film print luck strikes.
totally. they have such an appreciative perspective of appreciable qualities
the sibling to Don't Deliver Us From Evil is
Alucarda. I consider
Lady Terminator an essential for a handful of reasons. now, I know you're the kind of person who can understand that I don't consider that movie a guilty pleasure. I don't think it's my liking the taste of trash, I think it's a wonder of human achievement and I mean that. what you got here is Hollywood imagined through an Indonesian lens, with a tourist playing the lead character, inspired by local mythology. I
wrote about that movie, and I also
wrote about H. Tjut Djalil's
Mystics in Bali. so, Mystics in Bali I'm partial to because it was the first movie I'd seen like that, although now I know there are other, even better, movies like that, and it's not necessarily one of my top recommendations like some of the others I'm mentioning. so, Paul Naschy is a big deal in cult land, and I unlocked him through
The Devil Incarnate, which is impressive enough that it knocked me flat. I've never seen such outer limits performed so straight facedly. I've never experienced a full-force genre movie with such clarity of inner dimensions, which is mondo in a nutshell
plus others. for sure. didn't want to overload the conversation