Transformers: Dark Side of the Moon

Started by MacGuffin, March 22, 2010, 03:02:38 PM

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Ravi

http://www.variety.com/article/VR1118038975

'Transformers' to pump up 3D brightness
Par, Bay maximize luminosity in 2000 RealD theaters with enhanced digital prints
By David S. Cohen

Complaints about dim 3D projection and worries about how to "save 3D" are finally prompting action -- from one studio, anyway.

For "Transformers: Dark of the Moon," Paramount and Michael Bay have gone beyond simply asking exhibs to turn their lamps up to proper brightness. Par is taking the unprecedented step of releasing a special digital print aimed at delivering almost twice the brightness of standard 3D projection -- even more than the dual-projector Imax Digital theaters.

By releasing the enhanced digital prints, which have been mastered and color graded for the extra brightness, Par is pushing the 3D envelope even further than James Cameron and Fox did on "We want the best presentation possible," helmer Bay said in an email to Variety. "We have created a special version with extra sharpening, color and contrast. It is a superior look in the format. The brighter the image, the brain processes in a different way (sic) and the result sharpens and makes it more vibrant.

"We did many studies on the formats for presentation and I found this to be the best result."

The special brighter digital prints will go to about 2,000 theaters, all using the RealD 3D system. Remaining screens, including all RealD competitors, will run at standard brightness.

Rave Motion Pictures said it would play the enhanced 3D packages at seven auditoriums in Baldwin Hills. AMC Theaters confirmed that it will show the enhanced package but declined further comment.It's unclear whether exhibs will advertise the special extra-bright 3D screens. Exhibs may want to avoid planting the notion that some 3D screens are better than others when there's no price distinction between the screens.

No previous pic has been released with multiple 3D digital prints for different levels of brightness.

Standard brightness for a 2D digital cinema system is 14 foot-lamberts, measured off the screen. About 75%-90% of the light is lost in 3D, so the informal standard for 3D systems is 3.5 FL, measured through the glasses. That's the light level for which 3D pics are color graded.

However, some theaters either dim their lamps to save money or don't change them often and therefore show pictures below standard brightness. That gloom, which prompted grumbling from cinephiles for regular 2D, has generated significant pushback over 3D.

The special DCPs for "Transformers 3" have been graded for 6 FL, almost twice the brightness of the usual 3D standard. By comparison, the dual-projector Imax Digital system averages only 5.5 FL for 3D.

"We believe in delivering premium 3D, so we applaud Paramount Pictures and Michael Bay for their focus on quality and presenting the brightest, most immersive and ultra-realistic 3D entertainment experience possible," said a rep for Real D. "RealD 3D projection technology delivers twice the light of other 3D systems, making it possible to present an optimized 3D presentation like this on screens of all sizes."

No studio has sent out multiple DCPs for different 3D light levels for general release. According to Fox post VP Steve Barnett, Cameron wanted extra brightness and dynamic range for the "Avatar" premieres, so he did a special DCP graded and color corrected for 10 FL, but that required two projectors.

"Jim wanted it to be the best dream he could have for 3D color and projection," Barnett said. "That shows the real stunning possibilities for what 3D can be. It's why directors of photography would like a higher light level for 3D. That's why we're hoping that laser light engines will get that light level up for 3D."

For press screenings, they also did a separate version graded for 7 FL. So few critics saw the same presentation as the public. For general release "Avatar" was graded only for the de facto standard of 3.5 FL.

Barnett expects the new laser light engines to get 3D light levels up to 7-10 FL.

Reaction to the news of the enhanced 3D package was swift and generally positive. Barnett called it "really great." But visual effects veteran Stu Maschwitz voiced some skepticism via Twitter: "I'm sure theaters will not screw this up at all. Such great track records with this stuff."

Mr. Merrill Lehrl

Bad Boys - 118 minutes
The Rock - 136 minutes
Armageddon - 150 minutes
Pearl Harbor - 183 minutes
Bad Boy II - 147 minutes
The Island - 136 minutes
Transformers - 144 minutes
Transformers: Revenge of the Fallen - 150 minutes
Transformers: Dark of the Moon - 157 minutes

Funny being in other people's shoes, viz., wishing certain films were shorter. Sátántangó, perfect length. Transformers: Dark of the Moon, too fucking long.
"If I had to hold up the most heavily fortified bank in America," Bolaño says, "I'd take a gang of poets. The attempt would probably end in disaster, but it would be beautiful."

Stefen

Has Mike Bay entered that stage of his career where everyone knows he's bad, but they revel in it and champion him anyways? Like that stage where it's cool to be bad? "Yeah, he's terrible, but that's what's so ridiculous about it! Come on. Let's go spend $25 and see Transformers 3 in 3D! It will be fun!"

God, I hope not. He's bad bad. Not good bad. Just today the playlist did a feature on all his films and they give it that treatment and it kind of made me gag a bit.
Falling in love is the greatest joy in life. Followed closely by sneaking into a gated community late at night and firing a gun into the air.

Reel

the one movie of his I ever got a kick out of was The Rock, I was about 8.

Alexandro

I am actually interested in seeing this movie because of that 45 minutes battle sequence. I'm sure is going to be something to remember. Too bad there's 110 minutes of crap before it. That's gonna be difficult to endure, but I want to see it in IMAX.

Reel

^^ ya see how your priorities change when you're denied the Tree of Life?

Gold Trumpet

A 45 minute Transformers battle sequence? I don't know, when these over sized sequences commence, they have a talent for immediately making me not impressed. Yes, I am witnessing an immeasurable amount of things I cannot see in most movies, but they cluster fuck all the action together that it just numbs everything for me. 45 minutes of that sounds like the best chance for me get a permanent migraine.

polkablues

Yeah, I don't need 45 straight minutes of various colors of blurry CGI metal flashing past the screen, intercut with Shia Labeouf saying "No no no no no no no no no no" like a million goddamn times.
My house, my rules, my coffee

pete

I've never seen a Transformers film and I just realized I've been very out of touch with most modern comicbook or action films in general; so when people talk about these movies being "really" bad, I'm not even sure what they're referring to now, like I literally have no idea what "bad" means.
"Tragedy is a close-up; comedy, a long shot."
- Buster Keaton

Alexandro

I saw parts of the first film, enough to know it was shit. The second I didn't bother to see.
I'm sure it will be a 45 minutes empty spectacle, but every review I'm reading, even the pans, sounds like the critic is more impressed than anything.

cronopio 2


Stefen

Falling in love is the greatest joy in life. Followed closely by sneaking into a gated community late at night and firing a gun into the air.

cronopio 2


pete

"Tragedy is a close-up; comedy, a long shot."
- Buster Keaton

pete

"Tragedy is a close-up; comedy, a long shot."
- Buster Keaton