The Girlfriend Experience

Started by MacGuffin, April 29, 2008, 12:25:18 AM

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polkablues

Quote from: macage on April 01, 2009, 04:14:28 PM


That is the best poster I've seen in a very long time.  2010 Xixax award-worthy.
My house, my rules, my coffee

for petes sake

Agreed.  I wonder what the barcode means.

hedwig

That poster just had its way with my brain.

Suddenly I am wanting to see this movie.

Convael

This is screening at my school at the end of April.

The special guest there to introduce the film and do a Q&A is.......... Sasha Grey.  I'd still rather have Soderbergh.

Stefen

Be sure to go. Let us know how it is.

I wonder if Sasha Grey is actually good. I mean at other things besides getting banged.
Falling in love is the greatest joy in life. Followed closely by sneaking into a gated community late at night and firing a gun into the air.

modage

Christopher Nolan's directive was clear to everyone in the cast and crew: Use CGI only as a last resort.

JG


SiliasRuby

you could eat off that beauty...
The Beatles know Jesus Christ has returned to Earth and is in Los Angeles.

When you are getting fucked by the big corporations remember to use a condom.

There was a FISH in the perkalater!!!

My Collection

©brad


Stefen

Yeah, it was a great trailer. Very atmospheric and cool.

My only beef is it didn't really show any of Sasha Grey's acting. That's the big question mark I have with this film.
Falling in love is the greatest joy in life. Followed closely by sneaking into a gated community late at night and firing a gun into the air.

modage

http://www.tribecafilm.com/filmguide/The_Girlfriend_Experience.html

i'm going to the Apr 28 9pm showing because the one with Soderbergh & Sasha was already sold out.  you can buy tickets now if you have an AMEX. 
Christopher Nolan's directive was clear to everyone in the cast and crew: Use CGI only as a last resort.

SiliasRuby

Quote from: Stefen on April 16, 2009, 09:20:53 AM
Yeah, it was a great trailer. Very atmospheric and cool.

My only beef is it didn't really show any of Sasha Grey's acting. That's the big question mark I have with this film.
Her Acting? She's a porn star, the acting is going to be AWESOME!
The Beatles know Jesus Christ has returned to Earth and is in Los Angeles.

When you are getting fucked by the big corporations remember to use a condom.

There was a FISH in the perkalater!!!

My Collection

Pozer

Quote from: Stefen on April 16, 2009, 09:20:53 AM
My only beef is it didn't really show any of Sasha Grey's acting. That's the big question mark I have with this film.

her acting looks pretty decent from the snippets of it they just showed in the featurette on HDN. the escort scenes look interesting enough but the girlfriend stuff must have been most challenging for her. or so it seems. it's the next free HDNet movie on May 20th--such a damn good channel synced w/magnolia pictures.

MacGuffin

Review:

The Girlfriend Experience
By RONNIE SCHEIB, Variety

A Magnolia Pictures release and presentation, in association with 2929 Entertainment, of an Extension 765 production. Produced by Gregory Jacobs. Executive producers, Todd Wagner, Marc Cuban. Directed by Steven Soderbergh. Screenplay, Brian Koppelman, David Levien.

With: Sasha Grey, Chris Santos, Philip Eytan, Glenn Kenny, Timothy Davis, David Levien, Marc Jacobsen.

With characteristic eclecticism, Steven Soderbergh follows "Che," his sweeping four-hour epic about a revolutionary hero, with "The Girlfriend Experience," a small-scale, digitally shot 77-minute chamber piece about a high-priced prostitute. Despite the pic's erotic subject matter and star (vet porn diva Sasha Grey), nothing could be less sensationalistic -- or moralistic -- than this fascinating study of free enterprise in free fall. While it may disappoint thrill-seekers, "Girlfriend" should still delight Soderbergh fans and niche auds. Sundance-sneaked (in rough cut) and officially preeming at Tribeca before a May 22 opening, this arthouse gem finds the helmer in top, and truly topical, form.

Pic follows upscale call girl Chelsea (Grey, in an interestingly opaque perf) and her trainer boyfriend Chris (Chris Santos) over five chronologically scrambled days in the weeks before the 2008 election. Set in the trendy, low-lit haunts of New York's high rollers (the venues looking far sleeker and more anonymous than in the bright pastels of "Sex and the City" and other glossy Gotham fantasies), the pic presents a society in which every interaction reps a form of commodity exchange.

Everything is a brand: Chelsea advertises herself on her website, while her apparel designers figure more prominently than her johns in her journal (read in voiceover). Everybody has a get-rich scheme: Chris tries to shop himself around at various gyms and hawks a line of sports clothes on the side, while Chelsea yearns to own a boutique and quizzes her clients about recession-proof investments.

Soderbergh's complex, never-gimmicky shuffling of time subtly fragments the narrative to reveal the characters' untoward depths of self-delusion. Sometimes the irony proves less subtle, as in Chelsea's back-room encounter with the Erotic Connoisseur, a super-sleazy porn reviewer (portrayed convincingly by former Premiere critic Glenn Kenny) who mercilessly disses her charms in cyberspace, the narration of his review counterpointed by street muscians' rousing rendition of "Everyone's a Critic."

Like Godard, Soderbergh views prostitution as the ultimate paradigm for capitalism. But where Godard saw the hooker as a tragic or exploited victim ("My Life to Live," "Two or Three Things I Know About Her"), Soderbergh suggests there are no victims, only failed traders, in the post-Reagan era of DIY capitalism. Subverting the helmer's own megabuck "Ocean's" franchise, "Girlfriend" exposes the downside to those films' shiny, expensive stars and money-snatching thrills ("Ocean's Thirteen" was penned by "Girlfriend" scripters Brian Koppelman and David Levien).

Furthermore, in contrast to "Bubble," Soderbergh's earlier HD experiment with an other-end-of-the-telescope dissection of lower-class specimens, the helmer here wields total control of the pic's uniquely detached, seriocomic tone. The nervous hype of a group of hedge-fund managers, who insist on treating Chris to a private-jet weekend in Vegas, seems organically connected to the handheld camera swinging wildly from one partygoer to the next.

Chelsea, meanwhile, is a creature of cool surfaces and static interiors, ensconced in tony galleries, pricey restaurants and luxurious hotel rooms as she delivers the full "girlfriend experience" -- complete with thoughtful inquiries about clients' wives and kiddies, informed appreciation of "Man on Wire" and commiseration over the nose-diving economy.

Tech credits mesh faultlessly, as Soderbergh lensed and edited under his usual pseudonyms. Score by Morcheeba's Ross Godfrey hits all the rightly stressful notes.


Camera (color, HD), Peter Andrews; editor, Mary Ann Bernard; music, Ross Godfrey; art director, Carlos Moore; costume designer, Christopher Peterson; supervising sound editor, Larry Blake; casting, Carmen Cuba. Reviewed at Deluxe, New York, April 13, 2009. (In Tribeca Film Festival -- Spotlight.) Running time: 77 MIN.
"Don't think about making art, just get it done. Let everyone else decide if it's good or bad, whether they love it or hate it. While they are deciding, make even more art." - Andy Warhol


Skeleton FilmWorks

modage

i saw this.  i liked the poster better.
Christopher Nolan's directive was clear to everyone in the cast and crew: Use CGI only as a last resort.