Quote from: Find Your Magali on April 02, 2024, 10:23:42 PMI'm thinking you could absolutely have made a Cabin Fever/The Hitcher type horror film with Alana and Cooper being terrorized by Bradley.

Ohh, I'd actually love to see PTA make that kind of a horror film.

I'm thinking you could absolutely have made a Cabin Fever/The Hitcher type horror film with Alana and Cooper being terrorized by Bradley.

1:25:13–1:34:12

What if we receive the following images not from Licorice Pizza but as if from a serious hardcore action picture? Are the shots convincing in that alternate context?











In retrospect—the Truck scene may be absorbed as an "out-of-town" tryout for PTA's next?

Sick list. I've seen a good half to maybe 3/4-ish of what's on there (shoutout Meshes of the Afternoon and Funeral Parade of Roses :D) <3<3

The most delicious irony of all would be if it becomes such a box office success that the Academy shuns it.

Quote from: Find Your Magali on March 28, 2024, 10:10:38 AMcommercial bonanza.

Why muse on possible grosses? An idle pastime; but also a hope. What if, say, PTA has a 2001 : A Space Odyssey–type movie waiting in the b.g., a production to ramp up only if the (previously unthinkable) opportunity arises—i.e., a colossal hit awarding him Nolanesque carte blanche?

With Leo in the picture :

2010 Inception $839 million
2012 Django Unchained $426 million
2013 The Great Gatsby $353.6 million
2013 The Wolf of Wall Street $406.9 million
2015 The Revenant $533 million
2019 Once Upon a Time in Hollywood $377.6 million
2023 Killers of the Flower Moon $157 million

Glinda the Good Witch believes Leo can absolutely still hit $500 mil and higher without breaking a sweat—with the right project;—and it helps that IMAX is in the Situation.

e.g.,

Top Gun: Maverick (2022) $1,495,696,292

*

The Upcoming PTA Event Film should be the smartest blockbuster of summer 2025. 

The current Situation may be the most crucial in PTA's career; possibly just-about equivalent in criticality to "getting his first break".

Funny, all-too concerned, and a bit stilted by its own characterization. In the reverberation's of A24's Everything Everywhere All At Once, a wake of output to continue their success. On one side sits CIVIL WAR, their bombastic large-scale effort, with effects work to surpass Everything Everywhere without losing the social-commentary tinge, and then they've got Problemista and Tuesday.

Within their 'smaller' 15m budget fare - Problemista iz a sort of twee, sort of quirky tale of the oxymoronic capitalist pressures around us. It works better than the best picture winner, for me, but it's still not a great flick. It apes Being John Malkovich without ever having as much depth as Kaufman's existential annui and persona fracturing.

A fable in urban outfitters pants, without being so annoying. 

Quote from: Find Your Magali on March 28, 2024, 10:10:38 AM$175M + PG-13 + major VFX indicates to me there must be some sci-fi and/or futuristic elements. Not sure why the cost would be so high otherwise. They are clearly aiming for a commercial bonanza.

The notion of a blockbuster hit from PTA is rather mind-boggling, to be honest.

You can hear plenty of f bombs in the leaked set videos. This isn't pg 13

$175M + PG-13 + major VFX indicates to me there must be some sci-fi and/or futuristic elements. Not sure why the cost would be so high otherwise. They are clearly aiming for a commercial bonanza.