Started by NEON MERCURY, March 06, 2004, 08:42:54 PM
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QuoteSo then. . .I figure this will be the beginning of my screenplay. So that's the first - scene in my screenplay. Just me and Granny Smith - I have braids on, plaid shirt, the whole thing. ('You have to give me a compressed version because I'll never...') (She laughs). So that's how it starts out.Then I turn into the best actress in the world. Probably with some huge love scene, comparable to Romeo and Juliet. Something that captivates the whole world - the heart of the world. Now by the fact that I'm such a famous actress I'm a multi-millionaire, and move to an island in the South Seas, with my lover who's going to be Tarzan to me. And we just play Jane and Tarzan.And then about three years later we build a center - which will have seven or eight centers coming out from - we'll have another island with a center. And this will be the most intellectual island in the world, full of the top scientists, we'll cure cancer, et cetera.And I come back, and I've found all these scientific things - possibly cured cancer myelf. Come back - -Now wait a minute, while I'm on the island though, my Tarzan lover, whose name is Will, he has a fit because he no longer has me to himself, so he goes into a fit and burns down the island that's totally built on, you know, all the scientific research.And at this point in the movie I want it to be total fantasy. Just, like, tropical, huge, huge plants. Huge animals. The music will be, just, unbelievable. Probably Stevie Wonder's type of music. 'The Secret Life of Plants.'('How old are you at this point?')(She sighs). At this point, pretty much ageless. Because I've been an astronaut. So I haven't really aged. And this is another thing that overwhelms people, is that I'm this person who's really never really aged.And so we go to Venus. And - we start coming back and forth to Earth and we start teaching people flying lessons, 'cause the gravity's different, so, therefore we can build our muscles up like breaststroke (she demonstrates). And we come back and forth.Well I get in a huge fight with Will in Venus and he takes a sword and cuts my head off and my head floats back to Malibu Mountain, in California. And I give this speech - and at this point I'm a female prophet - and I give this speech to the whole world who's lined up on fences, beaches, all along the mountaintops.And all they see is my head floating. And it's just totally....gets to the whole world.And my message is one of love.
QuoteOkay, well, Penny is ridiculous. She's pride. She behaves melodramatically. She just - not credible. I know you didn't set it up, I know she really got annoyed. But I - I don't know somehow it just - it's not believable. Because - you listen, like very bad actress, in a very bad script -- horrible movie, just horrible movie. Um -- you know, I like her, it's alright. I - you know, if you want to live in her bad movie it's alright because - some people's lives are good movies, some people's lives are bad movies, and Penny's life's a very bad movie, but don't make me look at it on the screen, please. You know it -- (drags from a cigarette) -- the problem is that you wanna make a movie out of your life, alright, so you wanna be in it, you want Penny to be in it, and me to be in it, and your apartment my apartment, but, I'm an interesting character to watch, but you're not an interesting character, and Penny is certainly not an interesting character at all. And uh, I don't know, if you want to make a good movie just write a script, I'm sure you can write a better script than that. But this is not a good one. Your life is not a very good script, but, ugh. Somehow I - I don't think that you want to make a good movie. What you want do is find things about your life, find out the truth. There's something that happens that you don't understand, you wanna get to the core of it. Well David I don't think that you're gonna find it this way because if something happens and you don't understand it, [something], you're not gonna understand it any better by freezing it on celluloid and looking at it over and over again. You know - what you have to do is try to understand it the first time. And uh -- I don't know. (Drags from a cigarette.) But - you don't understand the basic principle: as soon as you start filming something, whatever happens in front of the camera is not reality anymore. It becomes part of something else. It becomes a movie. And, uh - you've stopped living, somehow. And you get very self-conscious about anything you do. 'Should I put my hand here, should I put my hand here?' 'Should I place myself this side of the frame, should I place myself this side of the frame?' And your decisions stop being moral decisions and they become aesthetical decisions. And your whole life stops being your life and becomes a work of art. And a very bad work of art this time. But, ahem (drags a cigarette, puts cigarette out). I don't know, it's just very foolish to think that there's any spontaneity in what's happening in this movie because you say to me, 'Look, I'm onna show you the film I'm doing, and I want you to tell me what you think of it.' And then what do you do? You place me in front of the mural, you make me move the table out of the way so you can see it all, and uh, you knew exactly what I was gonna say.You didn't put words in my mouth, you didn't tell me what to say, but you knew what I was gonna say because you know me, and uh, and I'm not gonna say anything that will harm you. I won't say any truth, because I don't know you, I just know a little bit of you, and it's same way with the film, you wanna put - a little bit of David, safe part of David, the David that you wouldn't be afraid to show to anybody. But there's a David that you don't want to be in the film, and that David may be the truth. And uh -- that's what you should try to put in the film, if you don't dare face yourself other ways. Confess things to the camera. I don't know, say, say the things that -- that you're most ashamed of, things that you don't want to remember. Things that you don't want anybody to know. Maybe, maybe that way there'll be some truth. Or perhaps you should take off all your clothes and stand in front of the camera for hours. And and not do anything, just stand in front of the camera. Perhaps something magical will happen. Perhaps some truth will come out -- like, I'm not sure. But, you know, one thing I'm pretty sure of - you know, hmm -- the way you're handling this whole thing, you just getting half-truths. You're not getting truths, you're just getting half-truths, and, I think that's what's done a lot. It's very good. Okay, that - that's all I have to say. (Beat).David, I don't want to play any games, please, turn it off.
QuotePepper: You know a lot of those kids that are in the balls, they don't have two of nothing. Some of them don't even eat. They come to balls starvin. And they sleep [somewhere]. Or they sleep on the pier. Or wherever. They don't have a home to go to ... but they'll make, they'll go out and they'll steal something and get dressed up and come to a ball for that one night and live the fantasy.
QuoteThere's people who sit home all day, they have potential, okay. I mean they go to the balls and they prove that they have potentials on actually selling a garment. Okay, but they like, being that I have this potential the ballroom tells me, okay, the ballroom tells me that I'm somebody. When the ballroom is over, when you come home, you have to convince yourself that you are somebody. And that's where they get lost.