Author Topic: Ingmar Bergman  (Read 43642 times)

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P Heat

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Re: Ingmar Bergman
« Reply #240 on: June 28, 2011, 11:32:27 PM »
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YES... the kid scene made my jaw drop and eyes open. I couldn't believe where it was going lol.
anyway it was after i posted my first serious fanalysis. after the long post all he could say was that the main reason he wanted to see the master was cos of all the red heads.
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wilder

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Re: Ingmar Bergman
« Reply #241 on: December 23, 2014, 04:18:05 AM »
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jenkins

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Re: Ingmar Bergman
« Reply #242 on: February 25, 2015, 02:35:09 PM »
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i was like, whaaaaa. so good




(speed racer/fanny and alexander)

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Re: Ingmar Bergman
« Reply #243 on: February 25, 2015, 04:11:45 PM »
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can you explain what this is exactly?
other than two frames of a movie overlapped?

jenkins

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Re: Ingmar Bergman
« Reply #244 on: February 25, 2015, 04:28:02 PM »
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fantasy becoming true
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Re: Ingmar Bergman
« Reply #245 on: February 25, 2015, 04:40:09 PM »
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thats cool. you could also answer the question.
did they play it on top of each other or is it art or wtf man. stop being difficult.

Gold Trumpet

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Re: Ingmar Bergman
« Reply #246 on: February 25, 2015, 04:45:19 PM »
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Don't think it's really much of anything.

jenkins

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Re: Ingmar Bergman
« Reply #247 on: February 25, 2015, 04:50:45 PM »
+1
it's two screencaps superimposed over each other, from speed racer/fanny and alexander, to highlight their shared themes, and there's a link at the bottom of the post to the movie club's instagram, where i heard about the double-screening, but most appreciated the screencaps i shared

i appreciate how the juxtaposition of stylistic intentions was expressed through not one screencap but two screencaps as one. there you go. if this is the worst part of your day, you're doing fine
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Re: Ingmar Bergman
« Reply #248 on: February 25, 2015, 10:22:04 PM »
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yes. keep talking like that. that is less confusing af.

jenkins

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Re: Ingmar Bergman
« Reply #249 on: October 19, 2015, 03:08:18 PM »
+3


time stamping this day

(

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wilder

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Re: Ingmar Bergman
« Reply #250 on: October 19, 2015, 03:44:20 PM »
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Haha oh my god

jenkins

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Re: Ingmar Bergman
« Reply #251 on: October 19, 2015, 04:40:21 PM »
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A kid has gotta cash out a bank account in all Bergmans, pay for the camera with Bergmans, pay the cast and crew each person is given a Bergman before the shooting of a scene, shoot it in Fårö and pay for the trip with Bergmans, wipe your tears with Bergmans and I don't see what could go wrong here.
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wilder

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Re: Ingmar Bergman
« Reply #252 on: May 18, 2017, 06:00:22 PM »
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Match Factory launches ambitious Bergman centenary project
via SCREENDAILY

EXCLUSIVE: The documentary will be available as a feature film or a TV series.

July 2018 marks 100 years since the birth of Swedish auteur (14 July 1918) Ingmar Bergman, director of such classics as The Seventh Seal and Wild Strawberries, and the centenary is being marked with events, films and TV dramas.

In Cannes, The Match Factory is starting pre-sales on Bergman, a hugely ambitious Ingmar Bergman documentary conceived as a feature film and four-part TV series.

The project is billed as one the most comprehensive documentaries ever to explore the life of the director, whose work has influenced everyone from Woody Allen to Martin Scorsese and David Lynch. Produced by B-Reel Films in Sweden, the film is a co-production with Sveriges Television, Svensk Filmindustri, Motlys, Reel Ventures, Nordsvensk Filmunderhallning, Gotlands Filmfond, Film Capital Stockholm, and is directed by Jane Magnusson.

Bergman will look in detail at the legendary director’s career - with a special focus on his immensely productive period in 1957 - in his own words and those of his friends, colleagues and lovers. “It’s a challenging project, since we have the highest ambition and want to create a film that is both visually and dramatically on the same artistic level as the work of our subject matter,” says producer Mattias Nohrborg.

The film will be available in two formats: as a feature film and mini-series (4 x 1 hour). The promo is available to be seen at The Match Factory’s Cannes office.

 

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