The editing in 21 Grams was great, regardless of whether it was planned or a random sequencer was fed into the editing program and the Avid spit out the movie. But The Hulk, if for nothing else, blew me away because of the editing. Some of those multi-panel transitions were breathtaking in their complexity. I've never seen anything like that before, on that level, and while I would probably exclude the Hulk from any other awards, I'd gladly hand this one over to it.