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Author Topic: banners  (Read 44361 times)

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cine

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« Reply #45 on: February 13, 2004, 04:16:13 PM »
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Quote from: mogwai

mogwai to the rescue!!

http://w1.422.telia.com/~u42243560/cinephile

fellatio coming your way....

I have more though. Should I email them or what?
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« Reply #46 on: February 13, 2004, 04:18:03 PM »
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Quote from: Cinephile
Quote from: mogwai

mogwai to the rescue!!

http://w1.422.telia.com/~u42243560/cinephile

fellatio coming your way....

I have more though. Should I email them or what?

you have more?? can you make a zip file of the all the caps? you know what i mean?
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Xixax

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« Reply #47 on: February 13, 2004, 04:21:58 PM »
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OK, I have uploaded all of the ones posted here. Mogs only got some of the ones that Cinephile made (all the way up to the Modern Times caps).
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modage

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« Reply #48 on: February 13, 2004, 04:28:56 PM »
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cinephile your caps are the best.  (i  dont have capping capability so i'm forced to scrounge around the internet for some high quality shots), but its limiting.  

also, if i can make one request, (to be ignored or not), if its a color movie, please make the banner only if its a color shot and not a black and white still.  thats the only thing that really bugs me, (other than low quality ones of which i am an occasional previous offender).
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Christopher Nolan's directive was clear to everyone in the cast and crew: Use CGI only as a last resort.

cine

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« Reply #49 on: February 13, 2004, 04:31:33 PM »
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Quote from: mogwai
you have more?? can you make a zip file of the all the caps? you know what i mean?

Done. Now what?
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pete

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« Reply #50 on: February 13, 2004, 04:32:57 PM »
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now you go out there and kick some ass.
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mogwai

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« Reply #51 on: February 13, 2004, 04:33:39 PM »
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Quote from: Cinephile
Done. Now what?

check your inbox.
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modage

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« Reply #52 on: February 13, 2004, 06:24:39 PM »
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there was a buncha banners here, but they gone now.
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Christopher Nolan's directive was clear to everyone in the cast and crew: Use CGI only as a last resort.

Redlum

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« Reply #53 on: February 13, 2004, 06:40:10 PM »
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\"I wanted to make a film for kids, something that would present them with a kind of elementary morality. Because nowadays nobody bothers to tell those kids, \'Hey, this is right and this is wrong\'.\"
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Chest Rockwell

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« Reply #54 on: February 13, 2004, 06:55:08 PM »
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I dont know how to do any of this, so I guess I'll just give some suggestions for other people to get.

Amadeus: shot from the front of Mozart conducting with his pink wig-thing
Adaptation: Any shot showing both Charlie and Donald
Lost in Translation: opening shot, duh!; shot of Bob sitting on the bed; shot of Bob in the elevator; Bob in the photo/TV studio; Charlotte sitting on the window sill; reflection of the window pane overlooking Tokyo-night showing Bob and Charlotte on the bed during the Dolce Vita scene
Mulholland Drive: shot of the dark room with the Anderson dwarf-executive; the car-light on the Mulholland Dr. streetsign; Diane sitting on the couch staring at the key
Hard Eight: Blood on the sleeve; John's pants on fire
Reservoir Dogs: the shot of White speaking to an unseen Pink from across that hallway in the warehouse
Pulp Fiction: Anything, really
Requiem for a Dream: Leto's character and Connelly's character lying amidst the circular formation of stuff
Boogie Nights: The opening shot (of the 'Boogie Nights' sign); final shot (of Dirk's penis)
Magnolia: another when where nearly anything would work
PDL: Barry looking at the harmonium in the street; Barry and Lena holding hands at Hawaii from the back; the colors!
Big Lebowski: Something from the in-the-bowling-ball part; the huge wall of bowling shoes; Dude flying in the air
Mystic River: Sean Penn looking out the window bare-backed
21 Grams: opening shot (of Watts and Penn in bed); the lawn-blower shot
Whale Rider: Castle-Hughes on the whale under water

If anyone finds these useful I might post more suggestions sometime
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Sleuth

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« Reply #55 on: February 13, 2004, 06:57:38 PM »
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Quote from: Chest Rockwell

Mulholland Drive: shot of the dark room with the Anderson dwarf-executive; the car-light on the Mulholland Dr. streetsign; Diane sitting on the couch staring at the key


Naomi Watts' look of jealousy when she visits the set
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Chest Rockwell

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« Reply #56 on: February 13, 2004, 07:16:39 PM »
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Quote from: Sloyj
Quote from: Chest Rockwell

Mulholland Drive: shot of the dark room with the Anderson dwarf-executive; the car-light on the Mulholland Dr. streetsign; Diane sitting on the couch staring at the key


Naomi Watts' look of jealousy when she visits the set


Good one. Also a shot of the hitman holding up the blue key, and the shot of some of the 50s singing routines, from the front angles.
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Duck Sauce

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« Reply #57 on: February 13, 2004, 07:48:22 PM »
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and some Jennifer Jason Leigh and Phoebe Cates from Fast Times...
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modage

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« Reply #58 on: February 13, 2004, 10:05:55 PM »
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Quote from: Duck Sauce
and some Jennifer Jason Leigh and Phoebe Cates from Fast Times...

yeah we need something to counterbalance klaus kinskis scary ass popping up every few seconds.  :roll:
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Christopher Nolan's directive was clear to everyone in the cast and crew: Use CGI only as a last resort.

ono

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« Reply #59 on: February 13, 2004, 10:09:41 PM »
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There's at least one that shouldn't be up there.  It's a black and white shot of a girl, stretched as if it started at 1.33:1 and was taken at 1.85:1 or greater.  Not good.
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