
* New, restored high-definition digital transfer, with uncompressed monaural soundtrack on the Blu-ray edition
* Optional English-dubbed soundtrack
* Archival interviews with director Marcel Camus and actress Marpessa Dawn
* New video interviews with Brazilian cinema scholar Robert Stam, jazz historian Gary Giddins, and Brazilian author Ruy Castro
* À la recherche d’“Orfeu negro,” a feature-length documentary about Black Orpheus’s cultural and musical roots and its resonance in Brazil today
* Theatrical trailer
* PLUS: A booklet featuring an essay by film critic Michael Atkinson

* New, restored high-definition digital transfer, approved by director Terry Zwigoff, with uncompressed monaural soundtrack on the Blu-ray edition
* Two audio commentaries, one from 2010 with Zwigoff, and one from 2006, featuring Zwigoff and critic Roger Ebert
* Outtakes and deleted scenes
* Stills gallery
* PLUS: A booklet featuring an essay by critic Jonathan Rosenbaum

* New, restored high-definition digital transfer, approved by director Terry Zwigoff
* Audio commentary featuring Zwigoff
* Outtakes and deleted scenes
* Illustrations by Howard Armstrong
* Stills gallery
* PLUS: A booklet featuring an essay by film critic Michael Sragow

* New, restored high-definition digital transfer
* L’amour existe, director Maurice Pialat’s 1960 short film about life on the outskirts of Paris
* Choses vues, autour de “L’enfance nue,” a fifty-minute documentary shot just after the film’s release
* Excerpts from a 1973 French television interview with Pialat
* New visual essay by critic Kent Jones on the film and Pialat’s cinematic style
* Video interview with Pialat collaborators Arlette Langmann and Patrick Grandperret
* New and improved English subtitle translation
* PLUS: A booklet featuring an essay by critic Phillip Lopate

* New, restored high-definition digital transfers
* Six scores: one by Robert Israel for each film; two by the Alloy Orchestra, for Underworld and The Last Command; and a piano and voice piece by Donald Sosin for The Docks of New York
* Two new visual essays: one by UCLA film professor Janet Bergstrom and the other by film scholar Tag Gallagher
* 1968 Swedish television interview with director Josef von Sternberg, covering his entire career
* PLUS: A ninety-six-page booklet featuring essays by film critic Geoffrey O’Brien, film scholar Anton Kaes, and author Luc Sante; the original film treatment for Underworld by Ben Hecht; and an excerpt from Sternberg’s autobiography, Fun in a Chinese Laundry, on Emil Jannings