Author Topic: Criterion News and Discussion  (Read 191121 times)

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Gold Trumpet

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Re: Criterion News and Discussion
« Reply #1905 on: February 14, 2011, 11:36:32 AM »
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May titles.



    * New, restored digital transfer, supervised by director of photography Tak Fujimoto and approved by director Jonathan Demme, with DTS-HD Master Audio soundtrack on the Blu-ray edition
    * New video interviews with Demme and writer E. Max Frye
    * Original theatrical trailer
    * PLUS: A booklet featuring a new essay by film critic David Thompson



    * New high-definition digital restoration (with uncompressed monaural soundtrack on the Blu-ray edition)
    * New video interview with director Masahiro Shinoda
    * Selected-scene audio commentary by film scholar Peter Grilli, coproducer of Music for the Movies: Toru Takemitsu
    * Original theatrical trailer
    * New and improved English subtitle translation
    * PLUS: A new essay by film critic Chuck Stephens


    * High-definition digital restoration (with uncompressed monaural soundtrack on the Blu-ray edition)
    * Audio essay by Andrei Tarkovsky scholars Vida Johnson and Graham Petrie, coauthors of The Films of Andrei Tarkovsky: A Visual Fugue
    * Nine deleted and alternate scenes
    * Video interviews with actress Natalya Bondarchuk, cinematographer Vadim Yusov, art director Mikhail Romadin, and composer Eduard Artemyev
    * Excerpt from a documentary about Stanislaw Lem, the author of the film’s source novel
    * PLUS: A booklet featuring an essay by critic Phillip Lopate and an appreciation by director Akira Kurosawa



    * New digital restoration (with uncompressed monaural soundtrack on the Blu-ray edition)
    * Selected-scene commentary by French-film scholar Kelley Conway
    * New video interview with Serge Bromberg, codirector of Henri-Georges Clouzot’s Inferno
    * New video interview with horror film expert Kim Newman
    * New and improved English subtitle translation
    * PLUS: A booklet featuring a new essay by film critic Terrence Rafferty

S.R.

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Re: Criterion News and Discussion
« Reply #1906 on: February 14, 2011, 11:47:03 AM »
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I love that Solaris cover.
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The Perineum Falcon

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Re: Criterion News and Discussion
« Reply #1907 on: February 14, 2011, 12:11:49 PM »
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Also, this:


•New high-definition digital restoration (with uncompressed monaural soundtrack on the Blu-ray edition)
•New audio commentary by Charlie Chaplin historians Dan Kamin and Hooman Mehran
•The Tramp and the Dictator (2001), a documentary narrated by filmmaker Kenneth Branagh and featuring interviews with author Ray Bradbury, director Sidney Lumet, historian Arthur Schlesinger Jr., screenwriter Budd Schulberg, and a host of others
•Two new visual essays, by Chaplin archivist Cecilia Cenciarelli and Chaplin biographer Jeffrey Vance
•On-set, color production footage shot by Chaplin’s half-brother, Sydney
•Deleted scene from Chaplin’s 1919 film Sunnyside
•Theatrical trailer
•PLUS: A booklet featuring an essay by film critic Michael Wood and a 1940 article by Chaplin on the film

Here's hopin The Kid's next.
We often went to the cinema, the screen would light up and we would tremble, but also, increasingly often, Madeleine and I were disappointed. The images had dated, they jittered, and Marilyn Monroe had gotten terribly old. We were sad, this wasn't the film we had dreamed of, this wasn't the total film that we all carried around inside us, this film that we would have wanted to make, or, more secretly, no doubt, that we would have wanted to live.

john

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Re: Criterion News and Discussion
« Reply #1908 on: February 14, 2011, 12:15:49 PM »
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Curiously light features on Something Wild - which is too bad considering it's my second most anticipated release so far this year (following Blow Out). Kind of uninspired cover, too... but very glad at that I'll have it on Blu nevertheless.
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Alexandro

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Re: Criterion News and Discussion
« Reply #1909 on: February 14, 2011, 02:21:45 PM »
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I love that Solaris cover.

Yes, it makes want to see the film right now. Great work.

modage

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Re: Criterion News and Discussion
« Reply #1910 on: February 14, 2011, 02:33:55 PM »
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Solaris cover by http://samsmyth.net/
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tpfkabi

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Re: Criterion News and Discussion
« Reply #1911 on: February 14, 2011, 02:38:09 PM »
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Interesting...I just got the old DVD's of Blow Out and Something's Wild during all the video rental store closings last year.
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socketlevel

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Re: Criterion News and Discussion
« Reply #1912 on: February 14, 2011, 05:20:50 PM »
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that great dictator cover is amazing

not a fan of the solaris, i liked the dvd one more
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Pubrick

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Re: Criterion News and Discussion
« Reply #1913 on: February 14, 2011, 05:32:49 PM »
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that great dictator cover is amazing

i wouldn't call it amazing.

maybe it was unintentional but it's cool that the hat upside down kinda looks like a torso with little arms, but when you flip it with the hair at the bottom it doesn't look like anything at all. it's kinda lazy really, when you think about it, not about the torso but just the concept.

this new batch of covers is typical of modern era criterion. they only slightly better than regular covers in that they don't feature giant effing faces of the actors and try to go on the appeal of the film itself to its ready-made audience of film connoisseurs.

and has he always been credit as Charles Chaplin? or is that just to indicate that it's from his later output where he started talking and being a bit more serious.

john

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Re: Criterion News and Discussion
« Reply #1914 on: February 14, 2011, 05:50:08 PM »
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there's more than enough disappointment to go around...which kind of baffles me.

Fat Girl blu-ray upgrade.

Sometimes we answer our own questions without even realizing it.

But, with the exception of Fat Girl, I'm with you... May is going to be pretty exciting month. Plentiful upgrades and some fantastic new additions.
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The Perineum Falcon

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Re: Criterion News and Discussion
« Reply #1915 on: February 14, 2011, 08:02:24 PM »
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that great dictator cover is amazing

i wouldn't call it amazing.

maybe it was unintentional but it's cool that the hat upside down kinda looks like a torso with little arms, but when you flip it with the hair at the bottom it doesn't look like anything at all. it's kinda lazy really, when you think about it, not about the torso but just the concept.
Yeah, especially lazy in that it's not even an original concept:

We often went to the cinema, the screen would light up and we would tremble, but also, increasingly often, Madeleine and I were disappointed. The images had dated, they jittered, and Marilyn Monroe had gotten terribly old. We were sad, this wasn't the film we had dreamed of, this wasn't the total film that we all carried around inside us, this film that we would have wanted to make, or, more secretly, no doubt, that we would have wanted to live.

socketlevel

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Re: Criterion News and Discussion
« Reply #1916 on: February 14, 2011, 08:06:03 PM »
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ah come on, it captures the film's subject matter and the film maker by linking it in a great way. the mirror title also enhances the affect.
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Reelist

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Re: Criterion News and Discussion
« Reply #1917 on: February 14, 2011, 08:19:37 PM »
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it's a little baby Hitler!
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OrHowILearnedTo

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Re: Criterion News and Discussion
« Reply #1918 on: February 15, 2011, 12:39:56 AM »
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that great dictator cover is amazing
maybe it was unintentional but it's cool that the hat upside down kinda looks like a torso with little arms, but when you flip it with the hair at the bottom it doesn't look like anything at all.

kinda looks like Lincoln with a mustache.

Also have to echo the Solaris cover love. Awesome font choice.

modage

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Re: Criterion News and Discussion
« Reply #1919 on: February 15, 2011, 07:06:32 AM »
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A Long Time Coming By Peter Becker

It’s not often that you get to say you are going to meet millions of new people on a single day while making a wish come true for many of your oldest friends, but that is exactly what is happening to the Criterion Collection today, as we go live with a major new offering on Hulu.

When I first started working at the Criterion Collection about seventeen years ago, I remember coming across a file box full of typed and handwritten letters that viewers had sent to Jon Mulvaney, our longtime customer liaison. At that time, the company was sometimes referred to as the “Rolls-Royce of laserdiscs”—an honor, to be sure, but one that was meaningful to a vanishingly small sliver of the American public. Many of our editions sold hundreds, not even thousands, of copies, at prices as high as $125 for a single film, but we had a very dedicated audience of movie lovers who had come to value Criterion for our commitment to quality, and for the array of special features we had pioneered starting in 1984, when we published the first ever commentary tracks and special features to appear alongside motion pictures.

It is tempting to say that a lot has changed since then, but the truth is, even more has remained constant. We don’t make laserdiscs anymore, but we are still dedicated to gathering the greatest films from around the world and using the latest technology to present them in editions that will deepen viewers’ appreciation and understanding of the art of cinema. Customers still write to Jon Mulvaney all the time, but now instead of pens and typewriters, they send him e-mail or post to our Facebook page or Twitter.

When I think back to all the letters I read that day, I realize that even the subjects of those letters haven’t changed much at all. Most were and are passionate pleas for us to release a favorite film or seek out a particular director’s work, but then, as now, one of the most common requests was for some kind of subscription program that would give customers access to everything we put out.

Starting today, there are more than 150 of our most important films online on the Hulu Plus subscription service. Over the coming months, that number will swell to more than 800 films. For the true cinephile, this should be a dream come true. On Hulu Plus, you’ll find everything in our library, from Academy Award winners to many of the most famous films by art-house superstars like Ingmar Bergman, Akira Kurosawa, and Federico Fellini to films so rare that they have never been seen in the U.S. in any medium. Some of these lost gems have been so hard to see that even most of the Criterion staff will see them for the first time only when they go live on Hulu Plus! Each month, we’ll be highlighting a mix of programs, centered on themes, directors, actors, and other creative artists, as well as celebrity picks, and mixing them with deep cuts from the catalog that will be unknown to all but the most prominent cinephiles in the world.

Criterion has always been a company driven by its mission, not by any particular medium, and while we still see our core business as producing the world’s best DVD and Blu-ray versions of the world’s best films, this new venture with Hulu represents a huge expansion of our reach. Not only will Hulu users have access to the largest digital archive of Criterion movies for the first time, Hulu Plus subscribers will now be able to stream our films (and yes, before long, many of our supplements too!) on a wide array of devices, including iPhones, iPads, PlayStations, and Internet-connected television sets.

And finally, why Hulu? In short, because they get it. As their regular viewers know, the Hulu user experience is exactly what it should be: simple, elegant, and focused on the content. Hulu has built their brand on letting the shows and movies take center stage. Nobody does it better, and we’re honored that they see Criterion as a good match for their audience. We’re going to do all we can to make the experience of Criterion on Hulu Plus an exciting adventure for all of us, so please check it out and let us know what you think. (For more details on how it will work, here’s a blog post by Hulu’s Eugene Wei.)
Christopher Nolan's directive was clear to everyone in the cast and crew: Use CGI only as a last resort.