Author Topic: Hollywood and Cult Leaders  (Read 702 times)

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wilberfan

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Hollywood and Cult Leaders
« on: September 05, 2018, 02:40:28 PM »
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A thought-provoking article I ran across today.


Hollywood's Obsession with Cult Leaders Has Just Begun

Some excerpts:

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If you’ve noticed an uptick in movies and television shows about cult leaders over the past few months, you’re not alone. It seems like every other headline these days is about a different Charles Manson film; with a handful of high-profile movies in the pipeline, one could be forgiven for thinking this is just the latest Hollywood trend of fighting over release dates for similarly themed projects. But dig a little deeper and you’ll see a variety of films about cult leaders and their followers set for the rest of 2018 and beyond, begging the (somewhat obvious) question: why is Hollywood so obsessed with enigmatic men who lead their followers to ruin?


Like most Hollywood trends, the rise of cult fiction is undoubtedly anchored to societal anxieties. In this case, the anxiety can be personified by a single person. Much has been written about the magnetic hold that Donald Trump has over his constituents, even as his administration enacts policies that negatively impacts their lives. In a recent interview with Pacific Standard, researcher Janja Lalich drew on her background studying cults to describe this kind of enigmatic behavior. “The people around Trump, and the Republicans in Washington, absolutely kowtow to him, either out of fear they’re going to anger him, or out of adulation,” Lalich explained. “That behavior is very typical of a cult.” With plenty of articles available exploring this troublesome relationship between a self-interested megalomaniac and his army of ideologues, the pump has been primped for films that explore this same link between ‘charismatic’ leaders and the people who get caught up in their wake. That’s where 2018 comes in.


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But if a television series about David Koresh or Bhagwan Shree Rajneesh was the opening act for cult aficionados, then the main event is the upcoming deluge of projects about Charles Manson, the infamous architect of seven Los Angeles murders on August 8, 1969. Countless books have been written about the Manson murders; Karina Longworth even devoted an entire season of her wildly popular podcast You Must Remember This to how the Manson murders were inexorably tied to the people and places of 1960s Hollywood. With the death of Charles Manson in 2017 and the 50th anniversary of the killings occurring in August 2019, it’s not surprising that several projects have been lined up to explore Manson’s cult and its long-lasting impact on popular culture. Each of these adaptations seems poised to use the fact of Charles Manson as a framing device for broader stories about our society and culture.


The most high-profile of these projects is, of course, Quentin Tarantino‘s Once Upon a Time in Hollywood, the writer/director’s sweeping examination of a Hollywood rocked by these high-profile murders. While plenty is still unknown about Tarantino’s film (Lindsey Romain of /Film has probably the most comprehensive rundown of everything that’s found its way to the public), it promises to move beyond the simple facts of the case and into a broader examination of Hollywood and America at the end of the decade. Similarly, there’s director Mary Harron‘s Charlie Says, which promises to emphasize the perspective of Manson’s female followers. The film opened to mixed reviews this past week at the Venice Film Festival, but The Hollywood Reporter‘s David Mooney nevertheless calls it a “thoughtful and provocative” examination of “bogus revolutionary rhetoric used to undermine and control women” while also suggesting that the film is an important synthesis of period storytelling and the modern era of heightened awareness towards displays of systemic abuse. And then there’s Season 2 of David Fincher‘s Mindhunters, which will reportedly feature the ’80s version of Charles Manson as he serves out his life sentences behind bars.


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