Author Topic: You Were Never Really Here  (Read 3525 times)

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csage97

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Re: You Were Never Really Here
« Reply #30 on: April 17, 2018, 12:20:31 AM »
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Well, by an unforeseen turn of circumstances, I was able to see this movie! Samsong, I really like your thoughts. "Brisk 85 minute art house revisionist film noir that flaunts style for days," indeed, and I'm thankful that movies like these are being made.

This is my fav sort of film, where the performances and environments inform as much about the protagonist'z headspace as anything, better than any exposition might. Weirdly, I found myself relating it to a Paddy Chayefsky'z Marty. In the sense of swirling loneliness, and that it felt modern and ready to eviscerate the metropolis/city as toxic to human spirit, its gestalt empowering all the wrong sorts of ambition.

The quick cuts to Joe's time in the military, or his memory from that time. That's where I was sold on its staccato beats. Then, the underwater bit, well, that's poetry to me.

Jonny... A fkn master. Even if the film's not playing in your area, check out the score.

Yep, great reflections there. I found myself thinking that the photography is excellent and beautiful, but then feeling cold from the swirling loneliness and modern evisceration the metropolis/city that's toxic to human spirit.

The underwater bit was amazingly photographed. I'm really impressed. Poetry indeed.

The effects of violence are so honestly shown: this is the heartbreak of the film's few final scenes.

In addition to seeing beauty and feeling distance and coldness, those stark images of blood and the physicality of the human body were harrowing and communicated Joe's headspace, as WorldForgot mentioned above. This is very much a visual film. There's barely any dialogue. I love the anamorphic photography and the way that Lynne Ramsay uses focusing and bokeh.

And then there were moments when Joe's depression and suicidal ideation really came through. The persistent blandness of experience and sense of no hope were expertly communicated, and then those "staccato" cuts to quick flashbacks really captured the way that PTSD flashbacks can intrude unexpectedly and continue to haunt the psyche. The scene in which Joaquin cries in the diner really got me, and he did a great job there.

BB

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Re: You Were Never Really Here
« Reply #31 on: April 23, 2018, 09:17:10 PM »
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Perhaps I’m just overly familiar with the various incarnations of the material, but this felt way too thin to me. The story was chopped to shit, and too many scenes try to skate by on atmosphere alone and there just isn’t enough there. Joaquin is good as always but he’s been far better in far better films. This character just isn’t especially compelling or memorable. Some nice visuals, etc, but nothing extraordinary. Perhaps my feelings will change, but I’m pretty disappointed. Just bounced right off me.

Think I can see where you're coming from even though I liked it a lot. There's clearly a more plot-focussed iteration in the mix and at a few points I thought the movie was gonna snap into a different mode but it really sticks to its guns. Atmosphere alone is right. Pure cinema, all that. Applied to subject matter that seldom gets this treatment. Rather than tell you a story about this guy doing these things, it locks you in the guy's fucked up head and just sort of keeps you there for a while. Things happen but they're secondary to being there with him. 

jonas

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Re: You Were Never Really Here
« Reply #32 on: April 24, 2018, 11:25:45 AM »
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This was supposed to come to my local theater this Friday and just saw they delayed it until May 4th. Anticipation was so high I took half the day off to catch an early showing, not happy!

Drawbacks for living in a small city (Portland, ME) with one art house theater  :(
"Mein Führer, I can walk!" - Dr. Strangelove

Something Spanish

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Re: You Were Never Really Here
« Reply #33 on: May 10, 2018, 03:29:50 PM »
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This was very good; the images and mood lingering in my thoughts almost 24 hours later. I'm not fully convinced it's the masterpiece I'd like it to be, but have not ruled that thought out at all. Feels like the structure was toyed with excessively in post, the conventional material deliberately chucked in favor of creating something new, a moody spin on the vigilante genre. The entire film put me in a trance, the many tracking shots with no actors on screen adding to that effect. The running time, about 80 minutes without credits, is perfect, any longer and Ramsay's camera techniques would border on pretentious. There are a few weird scenes that I can't say I'd seen in a movie before, such as a moment Joe has with a baddie he just shot, that help the movie stand out, if the visual narrative doesn't stand out enough for you. Overall what was really good is the mood sustained by Ramsay, I think she really found the movie in editing. I loved it while watching it and love it now while reflecting on it. Phoenix is a big reason why, he's interesting in every frame and carries the movie without much effort, remaining naturally sympathetic. You really get a sense of who Joe is with nary an expositional word of dialogue uttered. It's just an inventive, melancholic piece of arthouse grind, made by one of the more visual directors working in the medium.

jonas

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Re: You Were Never Really Here
« Reply #34 on: May 17, 2018, 01:04:14 PM »
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Finally was able to see it and I'm really glad I saw it in a theater, it was well worth the wait.

Fantastically intense and focused, I really didn't know where it was going in the last 1/2 hour and that's a great thing.

Music was awesome too! Will try to see it again in the theater before it leaves. I have a feeling seeing it on a smaller/home screen will lose some of the intensity, especially with the sound design and music.
"Mein Führer, I can walk!" - Dr. Strangelove

 

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