Author Topic: afi fest (los angeles)  (Read 3158 times)

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jenkins

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afi fest (los angeles)
« on: September 11, 2013, 02:53:29 AM »
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~5+ people who post here and live in or around los angeles. news has arrived

this festival is great because:
it's free
the people who run it are cinephiles and visit festivals and care about movies and select varieties (e.g., cultural shifts)
if you imagine los angeles centered on movies for a week it's perfect how this all takes place on hollywood blvd in the grauman's chinese and egyptian theatres

agnés varda will serve as guest artistic director (will present a program of films that have inspired her work)

first three announcements:
The North American Premiere Gala of Disney’s SAVING MR. BANKS will open the festival on Thursday, November 7

The World Premiere Opening Weekend Gala of Sony Picture Classics’ FOXCATCHER on Friday, November 8 will launch a slate of independent and auteur films that will unspool over the course of the festival

INSIDE LLEWYN DAVIS will be the Closing Night Gala on Thursday, November 14

AFI FEST November 7-14
Free individual tickets to AFI FEST screenings and galas will be available to AFI members on Monday, October 28 and Tuesday, October 29 in a 48-hour advance window before they become available to the general public on Wednesday, October 30 and Thursday, October 31.

the last two years i had the good luck to be fully available and saw everything i could. this year the timing seems dicey for me. i hope the timing is easy and marvelous for you. the american medical association suggests group meetings be devised or ignored and the point is a week of cinema bliss

jenkins

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Re: afi fest (los angeles)
« Reply #1 on: September 24, 2013, 03:11:35 AM »
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each year the guest artistic director chooses favorites to share. agnčs varda's selected program:

pickpocket, bresson
a woman under the influence, cassavetes
the marriage of maria braun, fassbinder
after hours, scorsese

so good. (favorites of mine selected by previous guests: almodóvar and bertolucci)

jenkins

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Re: afi fest (los angeles)
« Reply #2 on: November 14, 2013, 09:10:03 PM »
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this is how i look back on the movies i saw

****
the great beauty
gloria
we are the best!
nothing bad can happen

***
the wind rises
the congress
tom at the farm
r100
baby blues
manakamana
borgman
the strange colours of your body's tears

**
our sunhi
in bloom
the sacrament
when evening falls on bucharest or metabolism
grand central
the strange little cat
my dog killer
jodorowsky's dune

*
little black spiders
vic + flo saw a bear

this list somewhat accurately describes the movies for me as i saw them through the fest. i determined their *s based on the list i was making and that's all. if you're list curious or idk, this isn't how the list would like on a future day or if all movies ever were considered. i've described my fest experience. thanks for reading this far (impressive imo)

max from fearless

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Re: afi fest (los angeles)
« Reply #3 on: November 14, 2013, 09:25:15 PM »
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The end credits of The Great Beauty and the sometimes unhinged performances of the girls in 'We Are The Best!' (at times they seem to be having so much fun, in fact I haven't seen a film that is so much fun in years) just came to mind, as I read your post. Lovely films. Cannot wait to see 'Gloria'. You Tube recommended I watch the trailer for 'Manakamana' after I searched out the opening sequence for 'Post Tenebras Lux', and now it's up there with 'The Wind Rises' I gotta check it out, right?

jenkins

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Re: afi fest (los angeles)
« Reply #4 on: November 14, 2013, 09:45:44 PM »
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imo post tenebras lux is "if only everything was this good" good, and manakamana isn't that good. they might share things somehow but artistically they're quite different. youtube was being racist

the tricky part will be to find a day when you want to watch manakamana. cinematic devices aren't used. there's so much cinema in post tenebras lux, and there's so much realworld sitting in manakamana. you watch people sit and travel up or down a mountain. that's what you do, 11x. that's the entire movie. i remember the people i saw and how they behaved and how people shared random traits and how the mountain was always interesting. it's a relaxing movie. i felt relaxed during it and so did the person i was with. we were surprised by how much we liked watching people sit, and we tried not to stare at a goat's butthole for a while (true)

we are the best! is solid gold fun, i agree. and i can't remember the last time i saw a childhood movie that felt that much like childhood

jenkins

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Re: afi fest (los angeles)
« Reply #5 on: October 22, 2014, 06:56:12 PM »
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i still think xixax la people are mythological creatures who watch tv and might as well live in minnesota. on the off chance that you need something to do around the time you go see iv, the full schedule is up and (free) tickets will be available friday:

http://afifest.afi.com/sections

Just Withnail

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Re: afi fest (los angeles)
« Reply #6 on: October 24, 2014, 01:16:02 PM »
+1
See Blind.

jenkins

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Re: afi fest (los angeles)
« Reply #7 on: November 12, 2014, 03:45:41 AM »
+1
examples of why i go to the movies --
thou wast mild & lovely
heaven knows what

movies xixax might like --
inherent vice (?)
blind
girlhood
a hard day
duke of burgundy

movies movie people might like --
violet
two days, one night
the wonders
the blue wave
manos sucias

movies i'm special mentioning you can't stop me --
clouds of sils maria
eden

i'm glad these movies exist --
self made
it follows
buzzard

*bummed i missed
jauja
the tribe

Kal

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Re: afi fest (los angeles)
« Reply #8 on: November 12, 2014, 09:10:58 PM »
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Last screening for Jauja is tonight at 9pm. I have 2 tickets left in case someone is up for it.

jenkins

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Re: afi fest (los angeles)
« Reply #9 on: October 16, 2018, 06:59:21 PM »
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2018 WORLD CINEMA

3 FACES (SE ROKH) – Jafar Panahi and Iranian actress Behnaz Jafari travel to a small village in northwest Iran to investigate the possible suicide of an aspiring young actress. Content to sit in the car while three generations of women examine their dual oppression, Panahi traverses moral and ideological pathways through rural Iran with trademark heart, charm and wit. DIR Jafar Panahi. SCR Jafar Panahi. CAST Behnaz Jafari, Marziyeh Rezaei, Narges Del Aram, Jafar Panahi, Maedeh Erteghaei. Iran

AMATEURS (AMATÖRER) – When German investors show interest in building a superstore in the small town of Lafors, community leaders decide to create a promotional video. Turning to students for help, teenagers Aida and Dana begin filming — and the battle for the true image of Lafors is on. Director Gabriela Pichler returns to AFI FEST with a sharp, funny, youthful and complex drama about giving a voice to those most often unheard. DIR Gabriela Pichler. SCR Gabriela Pichler, Jonas Hassen Khemeri. CAST Zahraa Aldoujaili, Yara Aliadotter, Fredrik Dahl. Sweden

ANGELS ARE MADE OF LIGHT – Filmed over three years, the latest documentary from James Longley follows students and teachers at a school in an old neighborhood of Kabul that is slowly rebuilding from past conflicts. Interweaving the modern history of Afghanistan with present-day portraits, the film offers an intimate and nuanced vision of a society living in the shadow of war. DIR James Longley. USA, Denmark, Norway

ASH IS PUREST WHITE (JIANGHU ER NV) – Jia Zhang-ke returns to AFI FEST with his latest sprawling masterwork. Centering on the struggles of Qiao (played by Zhao Tao), a gangster’s girlfriend who spends five years in prison after getting caught up in a violent attack, ASH IS PUREST WHITE is a haunting, enigmatic portrait of individuals navigating China’s new “capitalism” at the dawn of the millennium. DIR Jia Zhang-ke. SCR Jia Zhang-ke. CAST Zhao Tao, Liao Fan, Xu Zheng. China, France

BULBUL CAN SING – In Rima Das’ lyrical and quietly moving third feature, an independent girl, Bulbul, lives a typical teenage life in the Assam region of India. But when a cruel shaming by a group of local men balloons into a tragedy, Bulbul must learn how to deal with her awakening desires in a restrictive culture. DIR Rima Das. SCR Rima Das. CAST Arnali Das, Manoranjan Das, Bonita Thakuria, Pakija Begum. India

CAPERNAUM (CAPHARNAÜM) – CAPERNAUM tells the story of Zain, a Lebanese boy who sues his parents for the “crime” of giving him life. Zain journeys from gutsy, streetwise child to hardened 12-year-old “adult”: fleeing his abusive, negligent parents, surviving through his wits on the streets, and finally, seeking justice in a courtroom. DIR Nadine Labaki. SCR Nadine Labaki, Jihad Hojeily, Michelle Kesrwany. CAST Zain Al Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole, Kawthar Al Haddad, Fadi Kamel Youssef, Cedra Izam, Alaa Chouchnieh, Nadine Labaki, Nour el Husseini, Elias Khoury. Lebanon

DAUGHTER OF MINE (FIGLIA MIA) – 10-year-old Vittoria is a quiet girl whose uneventful Sardinian summer becomes upended when she discovers her birth mother is the town drunk, Angelica (Alba Rohrwacher). As Vittoria begins to split her time between Angelica and the more stable woman who raised her (Valeria Golino), she finds herself struggling with something deep and innate. DIR Laura Bispuri. SCR Francesca Manieri, Laura Bispuri. CAST Valeria Golino, Alba Rohrwacher, Sara Casu, Michele Carboni, Udo Kier. Italy, Germany, Switzerland

DIAMANTINO – When Portuguese soccer god Diamantino blows a chance at World Cup glory, the disgraced footballer finds himself unwittingly tied up in conspiracies involving evil twin sisters, gender bending genetic experimentation, lesbian spies and far-right ultra-nationalists in delightfully sharp, future cult classic. DIR Gabriel Abrantes, Daniel Schmidt. SCR Gabriel Abrantes, Daniel Schmidt. CAST Carloto Cotta, Cleo Tavares, Anabela Moreira, Margarida Moreira, Carla Maciel, Filipe Vargas, Manuela Moura Guedes, Joana Barrios, Maria Leite. Portugal, France, Brazil

DOGMAN – Matteo Garrone’s latest film is a gripping drama about Marcello, a gentle yet cowardly dog groomer who finds himself caught up in Italy’s criminal underworld. Marcello forms a dangerous, one-sided relationship with former boxer and cokehead Simone, who terrorizes the community. Before long, Marcello is part of his reckless antics. DOGMAN will screen at AFI FEST in partnership with Cinema Italian Style, an annual showcase of contemporary Italian cinema in Los Angeles. DOGMAN will be the opening night film of Cinema Italian Style. DIR Matteo Garrone. SCR Ugo Chiti, Maurizio Braucci, Matteo Garrone, Massimo Gaudioso. CAST Marcello Fonte, Edoardo Pesce, Nunzia Schiano, Adamo Dionisi, Francesco Acquaroli. Italy, France

FUGUE (FUGA) – Alicja suffers from memory loss and has rebuilt her own free-spirited way of life. Two years later, she returns to her family and unwillingly resumes her role as wife, mother and daughter. FUGUE evokes the social taboos around motherhood and the pressure on women to accept maternity without hesitation or reflection. DIR Agnieszka Smoczyńska. SCR Gabriela Muskała. CAST Gabriela Muskała, Łukasz Simlat, Iwo RajskiMałgorzata Buczkowska, Zbigniew Waleryś, Halina Rasiakówna, Piotr Skiba. Poland, Czech Republic, Sweden

GENESIS (GENČSE) – While Guillaume, an outwardly confident teenager in a posh boarding school, struggles with surprising new feelings of love and alienation, his older sister Charlotte navigates a thorny path of relationships with disappointing men in Québécois director Philippe Lesage’s detailed, incisive portrait of adolescent yearning. DIR Philippe Lesage. SCR Philippe Lesage. CAST Noée Abita, Théodore Pellerin, Jules Roy-Sicotte, Maxime Dumontier, Edouard Tremblay-Grenier, Emilie Bierre, Pier-Luc Funk, Vassili Schneider, Mylčne Mackay. Canada

HAPPY AS LAZZARO (LAZZARO FELICE) – In auteur Alice Rohrwacher’s stunning third feature, a simple young man named Lazzaro works with other unpaid laborers on an isolated estate in the Italian countryside. But when Lazzaro suffers an accident, HAPPY AS LAZZARO kicks into high gear as a work of fantastic time-jumping poetry and grounded social critique. DIR Alice Rohrwacher. SCR Alice Rohrwacher. CAST Adriano Tardiolo, Agnese Graziani, Alba Rohrwacher, Luca Chikovani, Tommaso Ragno, Sergi López, Natalino Balasso, Gala Othero Winter, David Bennent, Nicoletta Braschi. Italy

HOTEL BY THE RIVER (GANGBYUN HOTEL) – A getaway destination along the frozen Han River is the setting for Hong Sang-soo’s latest, a simmering and melancholic family drama, lensed in stark black and white, about an aging poet facing mortality and his two competing sons who cross paths with a woman nursing the wounds of a scarring breakup. DIR Hong Sang-soo. SCR Hong Sang-soo. CAST Ki Joo-bong, Kim Min-hee, Song Seon-mi, Kwon Hae-hyo, Yu Jun-sang, Park Ran, Shin Seok-ho. South Korea

“I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS” (ÎMI ESTE INDIFERENT DACA ÎN ISTORIE VOM INTRA CA BARBARI) – Mariana is a young, defiant artist mounting a theatrical production of the Odessa massacre, in which Romanian soldiers killed thousands of Ukrainian Jews. As she attempts to stage a realistic reenactment, to force her fellow Romanians to confront their sins of the past, she meets with stiff resistance from local powers. Radu Jude’s latest masterpiece is at once funny, uncomfortable and profound. DIR Radu Jude. SCR Radu Jude. CAST Ioana Iacob, Alexandru Dabija, Alex Bogdan. Romania, Czech Republic, France, Bulgaria, Germany

MAYA – Mia Hansen-Lřve reunites with Roman Kolinka for her sixth feature. As the French protagonist Gabriel, he travels to India after a traumatic stint of forced captivity and encounters the charming Maya. What takes shape is a subtle increase of silent attraction as the two explore his childhood home in this gentle film filled with yearning, wandering and rumination. DIR Mia Hansen-Lřve. SCR Mia Hansen-Lřve. CAST Roman Kolinka, Aarshi Banerjee, Alex Descas. France

MY BRILLIANT FRIEND (L’AMICA GENIALE) – MY BRILLIANT FRIEND adapts the first book in Elena Ferrante’s renowned coming-of-age epic, beginning in 1950s Naples and spanning six decades. An unexpected phone call prompts Elena to reflect on her relationship with her brilliant friend Lila and the complexities of female friendship in a community replete with male violence. DIR Saverio Costanzo. SCR Elena Ferrante, Francesco Piccolo, Laura Paolucci and Saverio Costanzo. CAST Valentina Acca, Antonio Buonanno, Gennaro Canonico, Pina Di Gennaro, Sarah Falanga, Luca Gallone. Italy

NEVER LOOK AWAY (WERK OHNE AUTOR) – Inspired by real events and spanning three eras of German history, NEVER LOOK AWAY tells the story of an art student Kurt, who falls in love with classmate Ellie. Ellie’s father, Professor Seeband, is dismayed at his daughter’s choice of boyfriend, and will stop at nothing to destroy the relationship. DIR Florian Henckel von Donnersmarck. SCR Florian Henckel von Donnersmarck. CAST Tom Schilling, Sebastian Koch, Paula Beer, Oliver Masucci Saskia Rosendahl. Germany, Italy

NON-FICTION (DOUBLE VIES) – Olivier Assayas’ latest is a delightful, breezy comedy centering on a married couple (Juliette Binoche and Guillaume Canet) as they navigate the swiftly evolving landscape of the modern publishing industry, and the ever-thorny issue of monogamy (or lack thereof) in long-term relationships. DIR Olivier Assayas. SCR Olivier Assayas. CAST Guillaume Canet, Juliette Binoche, Vincent Macaigne. France

OF FATHERS AND SONS – Award-winning documentarian Talal Derki gained the trust of a radical Islamist family in Syria and filmed their daily lives for two years. The result is OF FATHERS AND SONS, a jaw-dropping, intensely uninhibited look at young boys training as Jihadi fighters, and their Caliphate-obsessed father. DIR Talal Derki. Germany, Syria, Lebanon

OUR TIME (NUESTRO TIEMPO) – Two-time AFI FEST alum Carlos Reygadas returns to the festival with an intensely personal project. OUR TIME tells the story of an upper-middle-class rancher (Reygadas) whose wife (played by Reygadas’ real-life spouse) draws him into a cuckolding fetish. As the emotional stakes rise, life on the idyllic landscape becomes threatened. DIR Carlos Reygadas. SCR Carlos Reygadas. CAST Carlos Reygadas, Natalia López, Eleazar Reygadas, Rut Reygadas, Phil Burgers. Mexico, France, Germany, Denmark, Sweden

PIG (KHOOK) – Past-his-prime filmmaker Hasan is having a crisis of ego. A serial killer is offing local filmmakers, and Hasan wants to know why he isn’t being targeted. In veteran filmmaker Mani Haghighi’s wonderfully bizarre dark comedy, the satire is heavy and hilarious, and gender stereotypes get smashed right and left. DIR Mani Haghighi. SCR Mani Haghighi. CAST Hasan Majuni, Leila Hatami, Leili Rashidi, Parinaz Izadyar, Mina Jafarzadeh, Aynaz Azarhoosh. Iran

PUTIN’S WITNESSES (SVIDETELI PUTINA) – With PUTIN’S WITNESSES, Vitaly Mansky returns to footage he filmed when commissioned — and provided with unnervingly intimate access — on a propaganda film promoting Vladmir Putin’s first presidential election. In this captivating portrait, Mansky both chronicles the alarming ease of the dictator’s rise to power and examines his own complicity in his near two-decade rule. DIR Vitaly Mansky. SCR Vitaly Mansky. Latvia, Switzerland, Czech Republic

SHOPLIFTERS (MANBIKI KAZOKU) – The winner of the Palme d’Or at the 2018 Cannes Film Festival, SHOPLIFTERS tells the tender story of a family of misfits and grifters struggling to make ends meet. After taking in a girl off the street, a sudden incident upends their lives and exposes their secrets. Director Hirokazu Kore-eda returns to the screen with a nuanced class critique, and a beautiful portrait of family life. DIR Hirokazu Koreeda. SCR Hirokazu Kore-eda. CAST Lily Franky, Sakura Ando, Jyo Kairi, Miyu Sasaki, Kiki Kirin. Japan

SUNSET (NAPSZALLTA) – As World War I approaches, Irisz arrives in Budapest with the dream to work as a milliner at Leiter, a store once owned by her family. Her hopes dashed by the new proprietor, she discovers news that a previously unknown sibling may exist, and sets out to meet them. DIR László Nemes. SCR László Nemes, Clara Royer, Matthieu Taponier. CAST Juli Jakab, Vlad Ivanov, Evelin Dobos, Marcin Czarnik, Judit Bárdos, Benjamin Dino, Balázs Czukor, Christian Harting, Levente Molnár. Hungary, France

TOO LATE TO DIE YOUNG (TARDE PARA MORIR JOVEN) – Sixteen-year-old Sofia navigates the usual pitfalls of her age against the unusual backdrop of a burgeoning utopian society in the Chilean jungle of the 1990s. A moody, atmospheric period piece, this third feature firmly establishes Sotomayor as one of today’s most original filmmakers. DIR Dominga Sotomayor. SCR Dominga Sotomayor. CAST Demian Hernández, Antar Machado, Magdalena Tótoro. Chile

VISION – Juliette Binoche stars in Naomi Kawase’s latest, a meditative journey into the heart of Japan, and a mysterious portrait of one woman’s search for meaning. When Jeanne (Binoche) seeks a rare medicinal plant in the forested Nara region, her quest is aided by a ranger who helps to reveal painful fragments of her past. DIR Naomi Kawase. SCR Naomi Kawase. CAST Juliette Binoche, Masatoshi Nagase. Japan, France

THE WILD PEAR TREE (AHLAT AGACI) – THE WILD PEAR TREE is a portrait of an ambitious young writer returning home after college. At once languid and rhapsodic, Palme d’Or winner Nuri Bilge Ceylan’s film is a profound and poetic look at a misspent youth grasping at a maturity that, once attained, is revealed to be the ultimate disappointment. DIR Nuri Bilge Ceylan. SCR Akin Aksu, Ebru Ceylan, Nuri Bilge Ceylan. CAST Aydin Doğu Demirkol, Murat Cemcir, Hazar Ergüçlü, Serkan Keskin, Tamer Levent, Akin Aksu, Öner Erkan, Ahmet Rifat Şungar, Kubilay Tunçer, Kadir Çermik, Özay Fecht, Ercüment Balakoğlu, Asena Keskinci. Turkey

YARA – Yara lives alone with her grandmother on a remote Lebanese mountain-side. A farmer brings supplies, a tour guide assists with odd tasks and, lost on a hike, a charismatic young hiker happens upon Yara hanging her underwear. A gently paced romance, Abbas Fahdel’s YARA captures the elation of first love and the crushing pain of its loss. DIR Abbas Fahdel. SCR Abbas Fahdel. CAST Michelle Wehbe, Elias Freifer, Mary Alkady. Lebanon, Iraq, France

jenkins

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Re: afi fest (los angeles)
« Reply #10 on: October 18, 2018, 09:35:36 PM »
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Cinema’s Legacy and Midnight Lineups

CINEMA’S LEGACY

THE CRUZ BROTHERS AND MISS MALLOY – This charming feature debut from recently rediscovered filmmaker Kathleen Collins (LOSING GROUND), THE CRUZ BROTHERS AND MISS MALLOY follows three Puerto Rican brothers who, under the watchful eye of their father’s ghost, are enlisted to help an eccentric elderly widow restore her home before her own anticipated death. DIR Kathleen Collins. SCR Kathleen Collins, Henry H. Roth, Jo Tavener. CAST Rae Ferguson, Sylvia Field, Cesar Gonzalez, Susan Hurst, Susan Lukas, Jose Machado. USA

DRYLONGSO – While photographing “America’s most endangered species” — the African-American male — Pica Sullivan encounters Tobi, disguised in men’s clothing to avoid her abusive boyfriend. Like its title, DRYLONGSO — an old term meaning “ordinary” — the issues addressed in Cauleen Smith’s powerful and little-seen 1998 film remain appallingly ordinary to young African-American men and women. New 16mm print courtesy of the Academy Film Archive. DIR Cauleen Smith. SCR Salim Akil, Cauleen Smith. CAST Toby Smith, April Barnett, Will Power. USA

THE JUNIPER TREE (EINITREO) – This beautiful restoration exhumes Nietzchka Keene’s unheralded debut, a feminist interpretation of the Brothers Grimm fairytale that underscores the uncertain safety of women in a patriarchal society. Filmed in Iceland, this atmospheric fantasy features a 20-year-old Björk as Margit, who escapes with her sister Katla when their mother is killed for practicing witchcraft. World Premiere of the Wisconsin Center for Film & Theater Research 2018 restoration with funding provided from The Film Foundation and the George Lucas Family Foundation. DIR Nietzchka Keene. SCR Nietzchka Keene. CAST Björk Gudmundsdottir, Bryndis Petra Bragadottir, Valdimar Orn Flygenring, Gudrun S. Gisladottir, Geirlaug Sunna Pormar. Iceland

MEETINGS OF ANNA (LES RENDEZ-VOUS D’ANNA) – In Chantal Akerman’s 1978 masterwork, Anna (Aurore Clément) is a respected Belgian filmmaker on a no-frills European tour promoting her latest film. As Anna travels from city to city, she has a series of startling encounters with different men and women, all of which seem to underscore her uneasy place in an increasingly dreary and anonymous Western Europe. DIR Chantal Akerman. SCR Chantal Akerman. CAST Aurore Clément, Helmut Griem, Magali Noël. France, Belgium, West Germany

NITRATE KISSES – The debut feature from celebrated filmmaker Barbara Hammer, NITRATE KISSES is an experimental excavation of queer histories, a celebration of difference across communities and a lament for histories lost to cultural repression. New 16mm print courtesy of the Academy Film Archive. DIR Barbara Hammer. USA

QUEEN OF DIAMONDS – A seminal work by experimental narrative filmmaker Nina Menkes, this film stars her sister and longtime collaborator Tinka Menkes as a blackjack dealer at a desert casino. The resulting film is a hypnotic trance of white bones and blue sky, the occasional oasis, the dark nights punctuated by neon. Restored by the Academy Film Archive and The Film Foundation, with funding provided by the George Lucas Family Foundation. DIR Nina Menkes. SCR Nina Menkes. CAST Tinka Menkes, Emellda J. Beech. USA

MIDNIGHT

CAM – Lola (Madeline Brewer of THE HANDMAID’S TALE) is a modern-day camgirl who makes her living through online private chats, but her world is about to turn upside down. Written by former camgirl Isa Mazzei, this thriller is one of the most surprising and intelligent films of the year. DIR Daniel Goldhaber. SCR Isa Mazzei, Daniel Goldhaber. CAST Madeline Brewer, Patch Darragh, Melora Walters, David Druid, Imani Hakim, Michael Dempsey. USA

IN FABRIC – A demonic dress haunts the lives of all that come into contact with it in this sexually explicit, phantasmagoric fever dream. As the garment moves from person to person, it leaves death and destruction in its wake. DIR Peter Strickland. SCR Peter Strickland. CAST Gwendoline Christie, Marianne Jean-Baptiste, Hayley Squires, Leo Bill. UK

KNIFE+HEART (UN COUTEAU DANS LE COEUR) – A masked madman stalks across the world of a producer and her film company. What results is a psychosexual slasher set in the world of the 1970s gay porn scene in Paris, from visionary and boundary-pushing director Yann Gonzalez. DIR Yann Gonzalez. SCR Yann Gonzalez, Cristiano Mangione. CAST Vanessa Paradis, Nicolas Maury, Kate Moran, Jonathan Genet, Khaled Alouach, Félix Maritaud, Noé Hernandez, Thibault Servičre, Bastien Waultier, Bertrand Mandico, Jules Ritmanic. FRANCE

PIERCING – In Nicolas Pesce’s wicked and kinky black comedy PIERCING, Reed (Christopher Abbott) is a seemingly normal guy struggling to channel some dark urges involving an ice pick. But when he orders a call girl (Mia Wasikowska) with the secret intention of taking his violence out on her, things go disturbingly off-script. DIR Nicolas Pesce. SCR Nicolas Pesce, Ryű Murakami (novel). CAST Christopher Abbott, Mia Wasikowska, Olivia Bond, Laia Costa, Maria Dizzia, Marin Ireland, Dakota Lustick, Wendell Pierce. USA

putneyswipe

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Re: afi fest (los angeles)
« Reply #11 on: October 31, 2018, 04:01:19 PM »
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Forgot to check the website yesterday as I was busy, so missed out on getting tickets to the four films I really wanted to see (Roma, The Favorite, Cold War, Under the Silver Lake). But still excited to see ASH IS PUREST WHITE (never seen a Chinese film before) and IN FABRIC, DEAD PIGS looks interesting as well...

jenkins

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Re: afi fest (los angeles)
« Reply #12 on: October 31, 2018, 04:17:12 PM »
+1
when you're there for the tickets you have you can go to the b.o. it's in that mall next to the Chinese, tickets become available through the fest as well. Roma is like yeah-good-luck-buddy and The Favourite is just under that, but the other two i'd guess as highly possible

putneyswipe

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Re: afi fest (los angeles)
« Reply #13 on: October 31, 2018, 08:49:03 PM »
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Yeah nvm just checked the site again, got tickets for ROMA, THE FAVOURITE & COLD WAR, gonna see them back to back to back on my day off should be a glorious day.

jenkins

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Re: afi fest (los angeles)
« Reply #14 on: October 31, 2018, 08:54:35 PM »
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it's true that in fact the internet availability fluctuates too. directly after my post i went there and Under the Silver Lake tickets were chilling. i forgot it just started today. i think it's all going to work out good for you, everything will be easy compared to that Roma ticket (i imagine). for Roma there'll be a big line and go early. i'm really saying obvious things aren't i.

 

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