YOUR 5 BEST TITLE SEQUENCES

Started by NEON MERCURY, May 10, 2003, 11:30:07 PM

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AlguienEstolamiPantalones

next friday where the smoke became credits

penfold0101

Panic room's cool with all the names hanging from the buildings.
13 ghosts - the names appear on the walls as the camera spins 360 and the life he used to have fades into the life he has now.

Peace
"There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply prevail. There was no point in fighting - on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave.
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high - water mark - that place where the wave finally broke and rolled back." - Hunter S. Thompson.

aurora

Good call on PANIC ROOM

Those titles were awesome!

chainsmoking insomniac

"Ernest Hemingway once wrote: 'The world's a fine place, and worth fighting for.'  I agree with the second part."
    --Morgan Freeman, Se7en

"Have you ever fucking seen that...? Ever seen a mistake in nature?  Have you ever seen an animal make a mistake?"
 --Paul Schneider, All the Real Girls

©brad


godardian

Godard's title sequences were usually great. My favorites:

-Vivre Sa Vie

-Band of Outsiders

...and the number one Godard title sequence: The original one (as seen on the Criterion DVD) from Contempt.

Also, anything Woody Allen, with his great signature titles.

Fassbinder titles- I'm thinking of The Marriage of Maria Braun in particular- tend to be done in very nice fonts.

I second The Royal Tenenbaums as great title sequence, which someone else mentioned above.
""Money doesn't come into it. It never has. I do what I do because it's all that I am." - Morrissey

"Lacan stressed more and more in his work the power and organizing principle of the symbolic, understood as the networks, social, cultural, and linguistic, into which a child is born. These precede the birth of a child, which is why Lacan can say that language is there from before the actual moment of birth. It is there in the social structures which are at play in the family and, of course, in the ideals, goals, and histories of the parents. This world of language can hardly be grasped by the newborn and yet it will act on the whole of the child's existence."

Stay informed on protecting your freedom of speech and civil rights.

dufresne

the opening credits in Irreversible is embedded into my brain.
There are shadows in life, baby.

chainsmoking insomniac

Quote from: mogwai
Quote from: punchdrunk23Let us not forget Se7en!
http://xixax.com/viewtopic.php?p=25673&highlight=#25673

Thanks Mogwai.  My bad.
"Ernest Hemingway once wrote: 'The world's a fine place, and worth fighting for.'  I agree with the second part."
    --Morgan Freeman, Se7en

"Have you ever fucking seen that...? Ever seen a mistake in nature?  Have you ever seen an animal make a mistake?"
 --Paul Schneider, All the Real Girls

USTopGun47

Pulp Fiction
Signs
Manhattan (If it counts)
PDL
Seven
I'm somebody now, Harry. Everybody likes me. Soon, millions of people will see me and they'll all like me. I'll tell them about you, and your father, how good he was to us. Remember? It's a reason to get up in the morning. It's a reason to lose weight, to fit in the red dress. It's a reason to smile. It makes tomorrow all right. What have I got Harry, hm? Why should I even make the bed, or wash the dishes? I do them, but why should I? I'm alone. Your father's gone, you're gone. I got no one to care for. What have I got, Harry? I'm lonely. I'm old.

Xixax

1: Seven
2: Fight Club
3: Angels Live In My Town
Quote from: Pas RapportI don't need a dick in my anus to know I absolutely don't want a dick in my anus.
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The Silver Bullet

01. Lawrence Of Arabia
02. Amelie
03. Raging Bull
04. Magnolia
05. Reservoir Dogs
RABBIT n. pl. rab·bits or rabbit[list=1]
  • Any of various long-eared, short-tailed, burrowing mammals of the family Leporidae.
  • A hare.
    [/list:o][/size]

Dirk

At wave level, everything exists as a contradiction. Everything is existing in more than one stage/place at any given moment. Everything must move/vibrate and constantly change to exist. Everything, including buildings, mountains, oceans and thoughts.

Pas

The Matrix Reloaded->it has none

SoNowThen

LA Confidential, Magnolia, Jerry Maguire, Bedazzled, Chinatown (just score and credits, but it works soooo good).

Also, I love the start of Walkabout, but I can't remember, are there credits interspersed in that? If so, then put it on my list.
Those who say that the totalitarian state of the Soviet Union was not "real" Marxism also cannot admit that one simple feature of Marxism makes totalitarianism necessary:  the rejection of civil society. Since civil society is the sphere of private activity, its abolition and replacement by political society means that nothing private remains. That is already the essence of totalitarianism; and the moralistic practice of the trendy Left, which regards everything as political and sometimes reveals its hostility to free speech, does nothing to contradict this implication.

When those who hated capital and consumption (and Jews) in the 20th century murdered some hundred million people, and the poster children for the struggle against international capitalism and America are now fanatical Islamic terrorists, this puts recent enthusiasts in an awkward position. Most of them are too dense and shameless to appreciate it, and far too many are taken in by the moralistic and paternalistic rhetoric of the Left.

©brad

Quote from: cbrad4dthe 25th hour. yes indeed.

its the best man.,,, seriously, the best ever. atleast in the last year.