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71
The Vault / Re: Jurassic World
« Last post by Sleepless on December 11, 2017, 08:42:20 AM »
I enjoyed JW1 for what it was. This looks awful.
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Paul Thomas Anderson / Re: Phantom Thread - Awards ticker
« Last post by FilmCell on December 11, 2017, 08:35:28 AM »
Ridley Scott got nominated for All the Money in the World   :yabbse-thumbdown:
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Paul Thomas Anderson / Re: Phantom Thread - Awards ticker
« Last post by Drenk on December 11, 2017, 08:29:53 AM »
Christopher Plummer is nominated. He shot his scenes two weeks ago. This is—yes—all very silly. And yet, I am happy for Greenwood. Awards make me dumb.
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Paul Thomas Anderson / Re: Phantom Thread - Awards ticker
« Last post by Mogambo on December 11, 2017, 08:00:03 AM »
Spielberg's "Spotlight Part 2" got nominated for everything and they decide to shut PTA out?

THE GOLDEN GLOBES ARE FUCKING CANCELLED.
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Paul Thomas Anderson / Re: Phantom Thread - Awards ticker
« Last post by FilmCell on December 11, 2017, 07:48:17 AM »
Best Actor and Best Score nominations from the Golden Globes. Shut out of Screenplay, Director and Best Picture.

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Real-Life Soundtracks / Re: Now Playing
« Last post by KJ on December 11, 2017, 04:44:33 AM »
jun togawa make the sweetest songs sometimes.



Quote
In Japanese, "suki" can mean several things, but it is most commonly used as the word "like."
Sometimes it can be used as slang for the word "love" as well, since in Japanese, "daisuki" means "to like a lot."
So, If you "daisuki" something that means you like it a lot.

77
Real-Life Soundtracks / Re: Lorde
« Last post by KJ on December 11, 2017, 04:18:56 AM »



random picture of carly and lorde
78
Paul Thomas Anderson / Re: Influences on each film
« Last post by Lottery on December 10, 2017, 09:55:06 PM »
Quick summary from Cigs and Red Vines PTA interview for The Master, many of these influences have already been mentioned in the thread.

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You’ve talked about the doc “Let There Be Light” and book “At Ease: Navy Men Of WWII” as being great reference points but can you talk about any other books/films/art that inspired “The Master”?

It's always such a long list.....sometimes it's whatever was on TV that morning. Other times, it's something i'm really into. tons of old film noir's. Out of the Past, dark Corner, Mr. Arkadin, Lady from Shanghai, etc. Nightmare Alley! Val Lewton stuff like Seventh Victim and Ghost Ship. Dianetics in Limbo by Helen O'Brien. Helen Forrest/Kitty Kallen and anything by Jo Stafford music wise. also listened over and over to Stravinsky piece "Ebony Concerto." Duke Ellington - Peer Gynt Suite. list goes on.....oh! how about John O'Hara short stories. earlier drafts have a slight adaption of one of his stories, "Bucket of Blood" I think. great short story.
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...All that stuff with Alligators in sewers was stolen from Pynchon's V. We looked around some sewers in upstate New York...... eventually decided to ditch the whole story line in writing before spending money and time on something unnecessary to the Main Event.

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We know it was always a semi-regular sing along at the old Largo but how did “Slow Boat To China” come to you as the climax of the film?

Can't remember the moment of decision for sure....but i think i was influenced by a tapestry on a bathroom wall i saw at a house i was staying at in Gloucster, Mass. great fishing/sailing town and the tapestry was about Sailors and Lighthouses lighting up the night...it was a little poem with a lighthouse on it....reminded me of Slow Boat to China the way it rhymed......that's probably the connection. kept going back to that bathroom while writing and then presto -chango - you've got Master's serenade.

From memory, one of the most commonly heard influence/inspirations from this period was TCM.
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Paul Thomas Anderson / Re: Phantom Thread - Awards ticker
« Last post by wilberfan on December 10, 2017, 08:29:16 PM »
Boston Society of Film Critics

Best Picture: Phantom Thread
Best Actor: Daniel Kaluuya for Get Out
Best Actress: Sally Hawkins for The Shape of Water
Best Supporting Actor: Willem Dafoe for The Florida Project
Best Supporting Actress: Laurie Metcalf for Lady Bird
Best Director: Paul Thomas Anderson for Phantom Thread
Best Screenplay: Greta Gerwig for Lady Bird
Best Cinematography: Hoyte Van Hoytema for Dunkirk
Best Documentary: Dawson City: Frozen in Time
Best Foreign-Language Film (awarded in memory of Jay Carr): The Square
Best Animated Film: Coco
Best Film Editing (awarded in memory of Karen Schmeer): David Lowery for A Ghost Story
Best New Filmmaker (awarded in memory of David Brudnoy): Jordan Peele for Get Out
Best Ensemble Cast: The Meyerowitz Stories
Best Original Score: Jonny Greenwood for Phantom Thread

New York Film Critics Online

Best Picture (TIE)
The Florida Project
Mudbound

Best Director
Dee Rees, Mudbound

Best Actor
Gary Oldman, Darkest Hour

Best Actress
Margot Robbie, I, Tonya

Best Supporting Actor
Willem Dafoe, The Florida Project

Best Supporting Actress
Allison Janney, I, Tonya

Bes Screenplay
Jordan Peele, Get Out

Best Breakthrough Performer
Timothée Chalamet, Call Me By Your Name

Best Debut Director
Jordan Peele, Get Out

Best Ensemble Cast
Mudbound

Best Documentary
Bombshell: The Hedy Lamarr Story

Best Foreign Language
In the Fade

Best Animated
Coco

Best Cinematography
Dan Laustsen, The Shape of Water

Best Use of Music
Steven Price (music by) and Kristen Lane (music supervisor), Baby Driver

Top 10 Films of 2017
Call Me by Your Name
Dunkirk
The Florida Project
Get Out
I, Tonya
Lady Bird
Mudbound
Phantom Thread
The Post
The Shape of Water

http://deadline.com/2017/12/boston-society-of-film-new-york-film-critics-online-winners-2017-phantom-thread-the-florida-project-mudbound-1202223949/
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Paul Thomas Anderson / Re: Phantom Thread
« Last post by boogienights on December 10, 2017, 08:20:44 PM »
As if it isn't bad enough we have to wait till the 19th, we also have to settle for DCP projection while NY/LA flaunts 70MM prints.

DCP is fine, I actually think blowing up 35mm to 70 is dumb, like someone else said I saw Inherent Vice on 70mm looked just like a 35mm projection.

I think 35mm screenings would be cooler, but having seen it on 35mm I actually would like to see it next on a DCP, soak in the photography from a perfect scan. Just my opinion though, great film no matter how you see it though.
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