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Quentin Tarantino / Re: Once Upon A Time In Hollywood
« Last post by wilberfan on Today at 06:38:24 PM »
Made a visit to the Hollywood Blvd set today (because, how many chances to do that will I get?).  They were shooting interiors inside Musso Franks all day, but I'm fascinated by film sets--and curious to the point of annoyance--so I had no trouble entertaining myself talking to crew, security, etc.  Spotted Kurt and Brad when the company broke for lunch.  Knew I had to stay cool, photo-wise around them, but took some shots of the work being done to get ready for the exterior shooting next week.


[I was about to enter high school (co-incidentally around the corner at Hollywood High) back in Aug of '69--so it was personally a hoot for me seeing the neighborhood put thru the Hollywood Time Machine.]


[If this post--or the link to the photos is uncool for any reason, let me know--I'll take 'em down.]
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News and Theory / Re: Specifically: Asia
« Last post by jenkins on Today at 02:53:56 AM »
China’s Most Expensive Movie is an Epic Flop

The fantasy movie, which supposedly led a trilogy, spent 750 million yuan ($112 million) in its production that lasted for six years.

Unfortunately, it only earned 49.05 million yuan ($7.3 million) on its opening weekend.

As a result, producers Alibaba Pictures, Zhenjian Film Studio and Ningxia Film Group decided to pull the movie from cinemas on Sunday and offered their “deepest apologies to viewers who did not get a chance to watch the film,” the South China Morning Post noted.

“This decision was made not only because of the bad box office. We plan to make some changes to the film and release it again,” a Zhenjian Film representative told Sina News.

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News and Theory / Re: Who's Next To Croak?
« Last post by Lottery on Today at 12:27:06 AM »
Shinobu Hashimoto

Screenwriter that worked on masterpieces such as Harakiri, The Seven Samurai, Rashomon and Ikiru.
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News and Theory / Re: Film Restoration and Preservation
« Last post by eward on Yesterday at 08:17:25 PM »
Commence joyful tearing out of hair!

I've long had a very poor DVD copy of it, but fortunately I got to see a 35 print at Anthology some time ago, and it's just one of the all-time great American films. Rips me apart.
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News and Theory / Re: Film Restoration and Preservation
« Last post by wilder on Yesterday at 07:39:23 PM »
Speaking of...

Out of the Blue is getting a 4K restoration from Discovery Productions

Quote
Discovery Productions, Inc. (John Alan Simon and Elizabeth Karr) plans now to undertake a 4K digital restoration of this landmark film. - so that we can make it available to a whole new generation of cinema audiences.    Because Out Of The Blue exists only as a 35mm print, its audience has been limited to those who are fortunate enough to see it in a theatre like BFI, Cinemateque, Anthology Film Archives, The Roxie, Metrograph and other art house / indie cinemas.

As on the previous successful 35mm restoration, Robert Harris has been kind enough to offer his advice and expertise to us in this process - Robert is currently working with the Cinematheque on the much more difficult digital restoration of Abel Gance's Napoleon - and we are already benefiting from this learning curve.  Other of his restorations include Lawrence of Arabia and Rear Window.
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The Small Screen / Re: Who Is America?
« Last post by Jeremy Blackman on Yesterday at 06:48:14 PM »
Watched Episode 1. It is exactly in line with previous Sacha Baron Cohen shows and films. The final segment (posted above) is an absolute masterpiece.

In the lead-up, I heard a lot of hand-wringing about SBC's methodology. These criticisms are nothing new, but they started to gain a new resonance with me. In a time when our grip on the truth is so tenuous, do we really need Sacha Baron Cohen weaponizing out-of-context moments and distorting reality even further? Maybe his type of art is now too destructive. Maybe it's not worth it anymore.

Then I watched the episode, and I had a new reaction: Actually this is great and I love it. And it's fine.

There's a lot of prime satire here. Does SBC reveal what's in these people's hearts? In some cases, yes. In other cases, no—he just reveals that they're willing to say anything when they believe some Israeli organization is honoring them. In the actual episode, the production team's deceptive tactics are not some closely-held secret. They are in full view. In the gun segment, SBC is perhaps more transparently deceptive than ever before. At one point, the show even basically deconstructs its own methodology (at 8 min in the clip above).

In the final stretch of the gun segment, it is made 100% clear to viewers that the participants are reading a script to the camera. That's the whole point of that part—that they're willing to pimp themselves and say literally anything for the sake of Israel and/or gun advocacy. The deception there is mostly done for the purposes of comedy and humiliation.

The other segments are essentially at the expense of SBC's character. The Bernie interview is actually kind of great for that reason. The dinner segment is basically prank comedy.

I wasn't entirely comfortable with the art segment until I read this.
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This Year In Film / Re: Sorry To Bother You
« Last post by pete on Yesterday at 02:43:04 PM »
I shot those photographs!
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News and Theory / Re: Film Restoration and Preservation
« Last post by eward on Yesterday at 02:21:19 PM »
I saw it at BAM a year or two ago on 35 and really enjoyed it, but I do recall a small handful of meandering stretches which flirted with boredom... Still an overall pretty wild experience and totally worth checking out as, if nothing else, a unique cultural artifact which really encapsulates the time/environment in which it was made, not to mention the notoriously drug and booze-addled creative mind from which it sprang. This news excites me! Now if Criterion would just get to Out of the Blue already....
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The Grapevine / First Man
« Last post by Kal on Yesterday at 12:17:23 AM »
Damien Chazelle's new film "First Man" about the moon landing. I didn't love the pacing of the trailer, but visually it looks incredible and I actually enjoyed La La Land and Whiplash a lot, so I'm looking forward to this. Kyle Chandler can do no wrong in my book. Film will open the Venice International Film Festival.



A Universal Pictures release, “First Man” stars Ryan Gosling as astronaut Neil Armstrong in the years leading up to the Apollo 11 moon-landing mission of 1969. Claire Foy (Netflix’s “The Crown”) also stars as Armstrong’s wife, Janet Shearon. Kyle Chandler, Jason Clarke, Corey Stoll, Ciaran Hinds, Christopher Abbott, and Patrick Fugit fill out the rest of the cast.
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