INHERENT VICE (No Major Spoilers)

Started by cronopio 2, December 02, 2010, 09:51:28 AM

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The Big Lebowski + Punch Drunk Love with a dash of the first half of Chinatown. And that's not even approaching it visually.


There's so much hilarious dialogue in the book (and I'm very much aware Paul himself is a master of the stuff), I hope some of it remains intact.

EDIT:

Yes, I see a little potential for Kiss Kiss Bang Bang.

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Quote from: Larry Doc Sportello on April 05, 2013, 01:08:43 AM
After reading some interviews from The Master, its clear that PTA loves his film noir

yeah, he talked about wanting to do it in B&W early on to make it noirish and 'of the period' but decided it wouldn't fit (it wouldn't). He must've just been anxious to try a different film technique and I'm glad he discovered 70mm.

I love film noir! It's been waaay too long since I've checked out a good one. I haven't even seen 'The Big Sleep' and most of the classics. See, this is why I love PTA- With every movie he makes I'm introduced to different types of films:

Sydney- Phillip Baker Hall's body of work ( and he also suggests that Sydney is an over the hill noir character )
Boogie Nights- Classic Porn
Magnolia- Multi-Narrative Films
Punch Drunk Love- Jacques Tati
There Will Be Blood- John Huston
The Master- Cult Films ( the kind that are about cults )

and I've read enough of Inherent Vice to know that this is his stoner film noir. I have a question- has weed ever been in one of PTA's movies? I don't think it has, in Boogie Nights I'm sure there's some joint passing going on in the party scenes but it's never a focal point ( and it really shouldn't be- weed's not cinematic like coke is. ) Call me out if I'm wrong about this... I'm just excited to see PTA portraying the BEST DRUG IN THE WORLD after he's done all the worst ones to death (Nicotine, Alcohol, Cocaine, Opiates)

So again he switches the style up and if they hate then let 'em hate and watch no money pile up.

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Frederico Fellini

We fought against the day and we won... WE WON.

Cinema is something you do for a billion years... or not at all.

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Quote from: Larry Doc Sportello on April 05, 2013, 12:16:28 PM
Speaking of Tati- have you seen Playtime? That is an incredible film

Now, that's an unforgettably unique experience.

jenkins

Quote from: Larry Doc Sportello on April 05, 2013, 12:16:28 PM
The Big Sleep is fantastic, so is The Maltese Falcon. Bogart was a maverick.
...those aren't great movies, i don't think. imo they suck, tbh. pt has claimed to be a john huston fan and said nice things about treasure of the sierra madre, and i think in a lonely place is pretty good, but big sleep and maltese falcon don't strike me as examples of great or "maverick" film noirs.

saying this 'cause there are certain film noirs i do love -- detour, kiss me deadly, postman always rings twice, out of the past, scarlet street, crime wave, angel face, 5 against the house, the long night, pickup on south street, narrow margin -- and they have nothing to do with bogart. strange necessity imo. hmmm

wilder

Completely with you on The Maltese Falcon and The Big Sleep. I'm not really a fan of The Narrow Margin, either. I love In A Lonely Place, Double Indemnity, Niagara (if you count that), Sweet Smell of Success, The Naked City, Cape Fear, the underrated Murder By Contract, Blast of Silence, etc. Still tons I need to see. It's the one genre I keep coming back to when I feel I've exhausted other avenues.

Also, I'll take Mitchum over Bogart any day.

jenkins

ok random conversation. funny you dislike narrow margin, better not tell wim wenders! sweet smell is not a noir. omg random, nvm :))

wilder

I know, I know. Most of my favorite "noirs" fall on the outskirts of the the genre. NotH, Melville's stuff, etc. It's all been talked about to death.

This is probably a conversation Xixax had in 2003 or something. Everyone else: how do you guys deal with the repetition of topics? It must drive you insane.

wilder

Quote from: Larry Doc Sportello on April 05, 2013, 07:29:40 PM
Quote from: wilderesque on April 05, 2013, 07:25:32 PM
I know, I know. Most of my favorite "noirs" fall on the outskirts of the the genre. NotH, Melville's stuff, etc. It's all been talked about to death.

Which Melville films would you recommend? only ever seen Army of Shadows. Recently downloaded Bob le Flambeur

Most of them. Bob is great. Definitely Le Samourai, Le Cercle Rouge, Le Doulos, and Le Deuxieme Souffle. After those, Leon Morin, Priest, Le silence de la mer and Un Flic, although a lot people seem to be iffy on the latter. Magnet of Doom was kind of forgettable from what I recall. Les enfants terribles also didn't have much of an impact on me, but I haven't seen it for a long time.

Jeremy Blackman

Quote from: wilderesque on April 05, 2013, 07:25:32 PMEveryone else: how do you guys deal with the repetition of topics? It must drive you insane.

We are old now and can't remember anyway. 2003 was a long time ago.

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Quote from: trashculturemutantjunkie on April 05, 2013, 07:13:30 PM
ok random conversation. funny you dislike narrow margin, better not tell wim wenders! sweet smell is not a noir. omg random, nvm :))

Wait, why?

jenkins

it's from 57, directed by alexander mackendrick, based on ernest lehman's writing, and stars a variety of people who are pretty cynical but not very criminal characters. it's about city and business, not film noir material

no good reason to think of it as a film noir

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Don't start with Robert Pattinson...

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